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By DP30 david@thehotbuttonl.com

DP/30: This is 40, actor Leslie Mann

4 Responses to “DP/30: This is 40, actor Leslie Mann”

  1. YancySkancy says:

    Is her hot minute of Oscar buzz totally gone? None of the Gurus are touting her, and I assume most of them have seen the film by now.

  2. David Poland says:

    The problem, Yancy, is that the race got very tight when ZD30 got shown. All of a sudden, you have two very strong French performances fighting for their lives, plus the 7-year-old girl, all against seeming locks of J-Law, J-Chas and strong repeat contenders in Naomi Watts, Keira Knightley, and NYFCC’s pick, Rachel Weisz.

    10 actresses, all of whom have a lot of support, is very rare. And Leslie, who is great in the film, is in a comedy… and hasn’t been nominated before.

    Leslie will likely get a Globes nod and lose to Jennifer Lawrence.

    Globes may also put aside Cotillard or Reva because they are in foreign language.

    Actress is usually one of those “sure… why not?” categories. Not this year. Not at all. Tougher than the guys this year.

  3. Lex says:

    What about Elle in Ginger and Rosa?

  4. YancySkancy says:

    I suspected as much,David. Same kinda situation that kept Kristin Wiig out of the running last year, I guess.

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DP/30

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel