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By DP30 david@thehotbuttonl.com

DP/30: This is 40, actor Leslie Mann

4 Responses to “DP/30: This is 40, actor Leslie Mann”

  1. YancySkancy says:

    Is her hot minute of Oscar buzz totally gone? None of the Gurus are touting her, and I assume most of them have seen the film by now.

  2. David Poland says:

    The problem, Yancy, is that the race got very tight when ZD30 got shown. All of a sudden, you have two very strong French performances fighting for their lives, plus the 7-year-old girl, all against seeming locks of J-Law, J-Chas and strong repeat contenders in Naomi Watts, Keira Knightley, and NYFCC’s pick, Rachel Weisz.

    10 actresses, all of whom have a lot of support, is very rare. And Leslie, who is great in the film, is in a comedy… and hasn’t been nominated before.

    Leslie will likely get a Globes nod and lose to Jennifer Lawrence.

    Globes may also put aside Cotillard or Reva because they are in foreign language.

    Actress is usually one of those “sure… why not?” categories. Not this year. Not at all. Tougher than the guys this year.

  3. Lex says:

    What about Elle in Ginger and Rosa?

  4. YancySkancy says:

    I suspected as much,David. Same kinda situation that kept Kristin Wiig out of the running last year, I guess.

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DP/30

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“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

“HBO’s investment in these outlets for criticism belies an approach that blends the show itself with discussion about the show to create an overarching viewer experience. It’s not just the plot that entertains, but also theorizing, exploring the world’s mythology, and more that has engaged book readers for decades — and those aspects are now part of what HBO is producing, not just something happening at whatever passes for a water cooler or comic book shop these days. Benioff, Weiss, and HBO are blending entertainment and criticism into one giant, all-encompassing amalgamation of content. Something as grandiose and, indeed, as stunning, as ‘Game of Thrones’ requires it.”
#Content: Expanding Entertainment, Collapsing CriticismBy Matt Hartman

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