MCN Blogs

By DP30 david@thehotbuttonl.com

DP/30: This is 40, actor Leslie Mann

4 Responses to “DP/30: This is 40, actor Leslie Mann”

  1. YancySkancy says:

    Is her hot minute of Oscar buzz totally gone? None of the Gurus are touting her, and I assume most of them have seen the film by now.

  2. David Poland says:

    The problem, Yancy, is that the race got very tight when ZD30 got shown. All of a sudden, you have two very strong French performances fighting for their lives, plus the 7-year-old girl, all against seeming locks of J-Law, J-Chas and strong repeat contenders in Naomi Watts, Keira Knightley, and NYFCC’s pick, Rachel Weisz.

    10 actresses, all of whom have a lot of support, is very rare. And Leslie, who is great in the film, is in a comedy… and hasn’t been nominated before.

    Leslie will likely get a Globes nod and lose to Jennifer Lawrence.

    Globes may also put aside Cotillard or Reva because they are in foreign language.

    Actress is usually one of those “sure… why not?” categories. Not this year. Not at all. Tougher than the guys this year.

  3. Lex says:

    What about Elle in Ginger and Rosa?

  4. YancySkancy says:

    I suspected as much,David. Same kinda situation that kept Kristin Wiig out of the running last year, I guess.

Leave a Reply

DP/30

Quote Unquotesee all »

A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver