

ora on: DP/30: I AM, director Tom Shadyac
Niklas on: DP/30: Tinker Tailor Solider Spy, actor Gary Oldman
The Pope on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Don R. Lewis on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
SamLowry on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Lex on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Rodney Sharpp on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
70srichard on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
Amber Colton Gardner on: DP/30 @ Sundance '13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
dust on: Exit Through The Gift Shop, producer Jaimie D' Cruz, editor Chris King
DP/30 @ SXSW: Short Term 12, actor Brie Larson
DP/30 @ Sundance ’13: Prince Avalanche, writer/director David Gordon Green, actor Emile Hirsch
DP/30 @ Sundance ’13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
DP/30 @ Sundance ’13: James Franco & directors, Kink.com/Interior. Leather Bar
DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
DP/30: Twenty Feet From Stardom, director Morgan Neville
DP/30: The Hypnotist, director Lasse Hallstrom
see all »
RT @JoeLeydon: Sometimes late at night, I wonder about all those indie movies (some quite good) that completely disappeared after I saw the…
RT @amysohn: This Marc maron interview with noah baumbach is a great primer on the evolution and frustrations of an artist.
RT @IndieFocus: The doc MANSON is disturbing enough, but the Q&A tonight @cinefamily went someplace else, w/ a row of passionate Manson, er…
DP: @TedHope 2 studio heads have been fired over blockbuster trouble in last 4 years. 2 more fired for other reasons. Not new phenomenon
DP: @TedHope You know, Ted, congrats on getting more mentions, but the piece you keep linking is years late and often misleading.
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell
“Anyway, Hitchcock eventually saw a rough cut of High Anxiety. He enjoyed it. But he said nothing after it. He just left. I [thought he] wasn’t happy. The next day, about 11 o’clock in the morning, I get this enormous, beautiful case of Chateau Haut-Brion 1961. That was almost 20 years old [at the time]. I mean, it was priceless. And there were magnums six of them, in a wooden case. Haut-Brion. I mean, oh my God. I’ve still got three of them left waiting. I keep all the good wines.”
What kind of occasion is worthy? When will you know it’s time to go into number four?
“A real, real occasion. I won’t drink it just because it’s a family occasion. I’ll drink it with guys that know what a good wine is and care about, you know, exquisite wines. I have a couple of friends that know what a good wine is.”
~ Mel Brooks, Foodie

i’m not really into the Hobbit series at all – overall this was a normal interview … he’s got a radio voice – he should do weather and traffic on radio.
PLEASE READ Jackson’s response to the 48 fps “matter”
http://www.thestar.com/entertainment/movies/article/1298890–peter-jackson-swears-the-hobbit-s-48fps-technology-won-t-make-you-sick
The sky is not falling just because the internet says it is.
It’s not a problem, it’s a tool.