By Ray Pride Pride@moviecitynews.com

Detroit Film Critic Society Nominates 2012

THE DFCS NOMINEES FOR 2012 (in alphabetical order)

BEST PICTURE

ARGO
THE IMPOSSIBLE
SILVER LININGS PLAYBOOK
TAKE THIS WALTZ
ZERO DARK THIRTY
BEST DIRECTOR

BEN AFFLECK – ARGO
JUAN ANTONIO BAYONA – THE IMPOSSIBLE
KATHERINE BIGELOW – ZERO DARK THIRTY
SARAH POLLEY – TAKE THIS WALTZ
DAVID O. RUSSELL – SILVER LININGS PLAYBOOK
BEST ACTOR

BRADLEY COOPER – SILVER LININGS PLAYBOOK
JOHN HAWKES – THE SESSIONS
DANIEL DAY-LEWIS – LINCOLN
BILL MURRAY – HYDE PARK ON HUDSON
JOAQUIN PHOENIX – THE MASTER
BEST ACTRESS

JESSICA CHASTAIN – ZERO DARK THIRTY
GRETA GERWIG – DAMSELS IN DISTRESS
JENNIFER LAWRENCE – SILVER LININGS PLAYBOOK
NAOMI WATTS – THE IMPOSSIBLE
MICHELLE WILLIAMS – TAKE THIS WALTZ
BEST SUPPORTING ACTOR

ROBERT DENIRO – SILVER LININGS PLAYBOOK
PHILIP SEYMOUR HOFFMAN – THE MASTER
TOMMY LEE JONES – LINCOLN
MATTHEW MCCONAUGHEY – MAGIC MIKE
EWAN MCGREGOR – THE IMPOSSIBLE
EZRA MILLER – THE PERKS OF BEING A WALLFLOWER
BEST SUPPORTING ACTRESS

AMY ADAMS – THE MASTER
ANN DOWD – COMPLIANCE
SALLY FIELD – LINCOLN
ANNE HATHAWAY – LES MISÉRABLES
HELEN HUNT – THE SESSIONS
BEST ENSEMBLE

ARGO
MARVEL’S THE AVENGERS
LINCOLN
MOONRISE KINGDOM
SILVER LININGS PLAYBOOK
BREAKTHROUGH

STEPHEN CHBOSKY – THE PERKS OF BEING A WALLFLOWER
ZOE KAZAN – RUBY SPARKS
REBEL WILSON – PITCH PERFECT
BENH ZEITLIN – BEASTS OF THE SOUTHERN WILD
CRAIG ZOBEL – COMPLIANCE
BEST SCREENPLAY

STEPHEN CHBOSKY – THE PERKS OF BEING A WALLFLOWER
DREW GODDARD & JOSS WHEDON – THE CABIN IN THE WOODS
TONY KUSHNER – LINCOLN
SARAH POLLEY – TAKE THIS WALTZ
DAVID O. RUSSELL – SILVER LININGS PLAYBOOK
BEST DOCUMENTARY

THE HOUSE I LIVE IN
THE IMPOSTER
JIRO DREAMS OF SUSHI
THE QUEEN OF VERSAILLES
SEARCHING FOR SUGAR MAN

Comments are closed.

Quote Unquotesee all »

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West