By Ray Pride Pride@moviecitynews.com

Detroit Film Critic Society Nominates 2012

THE DFCS NOMINEES FOR 2012 (in alphabetical order)

BEST PICTURE

ARGO
THE IMPOSSIBLE
SILVER LININGS PLAYBOOK
TAKE THIS WALTZ
ZERO DARK THIRTY
BEST DIRECTOR

BEN AFFLECK – ARGO
JUAN ANTONIO BAYONA – THE IMPOSSIBLE
KATHERINE BIGELOW – ZERO DARK THIRTY
SARAH POLLEY – TAKE THIS WALTZ
DAVID O. RUSSELL – SILVER LININGS PLAYBOOK
BEST ACTOR

BRADLEY COOPER – SILVER LININGS PLAYBOOK
JOHN HAWKES – THE SESSIONS
DANIEL DAY-LEWIS – LINCOLN
BILL MURRAY – HYDE PARK ON HUDSON
JOAQUIN PHOENIX – THE MASTER
BEST ACTRESS

JESSICA CHASTAIN – ZERO DARK THIRTY
GRETA GERWIG – DAMSELS IN DISTRESS
JENNIFER LAWRENCE – SILVER LININGS PLAYBOOK
NAOMI WATTS – THE IMPOSSIBLE
MICHELLE WILLIAMS – TAKE THIS WALTZ
BEST SUPPORTING ACTOR

ROBERT DENIRO – SILVER LININGS PLAYBOOK
PHILIP SEYMOUR HOFFMAN – THE MASTER
TOMMY LEE JONES – LINCOLN
MATTHEW MCCONAUGHEY – MAGIC MIKE
EWAN MCGREGOR – THE IMPOSSIBLE
EZRA MILLER – THE PERKS OF BEING A WALLFLOWER
BEST SUPPORTING ACTRESS

AMY ADAMS – THE MASTER
ANN DOWD – COMPLIANCE
SALLY FIELD – LINCOLN
ANNE HATHAWAY – LES MISÉRABLES
HELEN HUNT – THE SESSIONS
BEST ENSEMBLE

ARGO
MARVEL’S THE AVENGERS
LINCOLN
MOONRISE KINGDOM
SILVER LININGS PLAYBOOK
BREAKTHROUGH

STEPHEN CHBOSKY – THE PERKS OF BEING A WALLFLOWER
ZOE KAZAN – RUBY SPARKS
REBEL WILSON – PITCH PERFECT
BENH ZEITLIN – BEASTS OF THE SOUTHERN WILD
CRAIG ZOBEL – COMPLIANCE
BEST SCREENPLAY

STEPHEN CHBOSKY – THE PERKS OF BEING A WALLFLOWER
DREW GODDARD & JOSS WHEDON – THE CABIN IN THE WOODS
TONY KUSHNER – LINCOLN
SARAH POLLEY – TAKE THIS WALTZ
DAVID O. RUSSELL – SILVER LININGS PLAYBOOK
BEST DOCUMENTARY

THE HOUSE I LIVE IN
THE IMPOSTER
JIRO DREAMS OF SUSHI
THE QUEEN OF VERSAILLES
SEARCHING FOR SUGAR MAN

Comments are closed.

Quote Unquotesee all »

“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton