Night Moves

By Ray Pride Pride@moviecitynews.com

Critics Top Ten List 2012: Jesse Hawthorne Ficks, SF Bay Guardian

Jesse Hawthorne Ficks

1. Cosmopolis
2. In the Family
3. The Master
4. The Comedy
5. Florentina Hubaldo CTE
6. Shanghai
7. Holy Motors
8. The Grey
9a. Your Sister’s Sister
9b. Jeff, Who Lives At Home
10. Lotus Community Workshop
11. ParaNorman
12-14 [tie]. A Simple Life, Amour, The Turin Horse
15. Compliance
16. The Kid With a Bike
17. Beasts of the Southern Wild
18. Universal Soldier: Day of Reckoning
19. John Carter
20. The Dark Knight Rises

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel