“Rain and an absolutely hopeless sky. No heaven, no questions about heaven. Only how can I drink the next pálinka? What can we eat?”
Béla Tarr’s Screenwriter László Krasznahorkai On Absolutely Not Being A Normal Child
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RT @lenadunham: 3. Because it grosses me out.
RT @lenadunham: 2. Because a big reason I engage in (simulated) onscreen sex is to counteract a skewed idea of that act created by the prol…
RT @lenadunham: 1. Because Girls is, at its core, a feminist action while Hustler is a company that markets and monetizes a male's idea of …
RT @lenadunham: Okay, I wracked my brain to articulate why I can't just laugh off a porn parody of Girls and here are 3 reasons:
RT @lenadunham: I wish I had a better attitude about the Girls porn parody. I really can never predict what will trouble me and it's simply…
Cannes ’13: What Is This Thing Called Love? - The Hot Blog
DP/30 @ Sundance ’13: We Steal Secrets: The Story Of Wikileaks, documentarian Alex Gibney - The Hot Blog
GREAT GATSBY Party Preem In Sydney (4’43″) - MCN Indie
DP/30: What Maisie Knew, screenwriter Carroll Cartwright - The Hot Blog
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
