By Ray Pride Pride@moviecitynews.com

9 Foreign Language Films Vie For Oscar

BEVERLY HILLS, CA – Nine films will advance to the next round of voting in the Foreign Language Film category for the 85th Academy Awards®. Seventy-one films had originally qualified in the category.

The films, listed in alphabetical order by country, are:

Austria, “Amour,” Michael Haneke, director;
Canada, “War Witch,” Kim Nguyen, director;
Chile, “No,” Pablo Larraín, director;
Denmark, “A Royal Affair,” Nikolaj Arcel, director;
France, “The Intouchables,” Olivier Nakache and Eric Toledano, directors;
Iceland, “The Deep,” Baltasar Kormákur, director;
Norway, “Kon-Tiki,” Joachim Rønning and Espen Sandberg, directors;
Romania, “Beyond the Hills,” Cristian Mungiu, director;
Switzerland, “Sister,” Ursula Meier, director.

Foreign Language Film nominations for 2012 are again being determined in two phases.

The Phase I committee, consisting of several hundred Los Angeles-based members, screened the 71 eligible films between mid-October and December 17. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.

The shortlist will be winnowed down to the five nominees by specially invited committees in New York and Los Angeles. They will spend Friday, January 4, through Sunday, January 6, viewing three films each day and then casting their ballots.

The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2012 will be presented on Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
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