By Ray Pride Pride@moviecitynews.com

9 Foreign Language Films Vie For Oscar

BEVERLY HILLS, CA – Nine films will advance to the next round of voting in the Foreign Language Film category for the 85th Academy Awards®. Seventy-one films had originally qualified in the category.

The films, listed in alphabetical order by country, are:

Austria, “Amour,” Michael Haneke, director;
Canada, “War Witch,” Kim Nguyen, director;
Chile, “No,” Pablo Larraín, director;
Denmark, “A Royal Affair,” Nikolaj Arcel, director;
France, “The Intouchables,” Olivier Nakache and Eric Toledano, directors;
Iceland, “The Deep,” Baltasar Kormákur, director;
Norway, “Kon-Tiki,” Joachim Rønning and Espen Sandberg, directors;
Romania, “Beyond the Hills,” Cristian Mungiu, director;
Switzerland, “Sister,” Ursula Meier, director.

Foreign Language Film nominations for 2012 are again being determined in two phases.

The Phase I committee, consisting of several hundred Los Angeles-based members, screened the 71 eligible films between mid-October and December 17. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.

The shortlist will be winnowed down to the five nominees by specially invited committees in New York and Los Angeles. They will spend Friday, January 4, through Sunday, January 6, viewing three films each day and then casting their ballots.

The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2012 will be presented on Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

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“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour