MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

20W2O: You’ve Been Globed

The Globes are a weird phenomenon.

All publicity is good publicity, right? And none of the smarminess of the HFPA directly rubs off on the nominees. Nor should it.

But… oy.

Is Christoph Waltz or Leonardo DiCaprio really giving a better acting performance in Django Unchained than DeNiro in Silver Linings Playbook? Oh the irony that chewing scenery is what DeNiro has been mocked for in recent years and now that he finds a real acting role again… f-off, pal. (And don’t even get me started on how much better Samuel L. Jackson is than anyone in that movie.)

And will people really remember either Django supporting role over Jason Clarke’s turn in Zero Dark Thirty? No. Both Waltz and DiCaprio have other stuff more interesting and more memorable. but Jason is “new” and is not yet getting Oscar buzz of real magnitude, so…

Any by the way… Django is a drama? Not a comedy?

And the notion that Musical/Comedy isn’t a ghetto… well, don’t tell David O. Russell or Tom Hooper this morning.

Personally? Thrilled for Rachel Weisz and Nicole Kidman, two actresses who committed completely to tough roles in small films and are getting some love for that. It’s HFPA, so I can’t say that it’s not because they are who they are. But love is love. And for films that small, the attention is really important.

And I feel bad for Emmanuelle Riva and Keira Knightley… who should not be anything close to written off at this point.

I’m happy for the people who got Salmon Fishing in the Yemen made, including Ewan McGregor, Emily Blunt, and Lasse Hallstrom, who I was with just yesterday. This is one of those cases where the HFPA liked the movie months ago and it just never got pushed out of the way. (Sad for This is 40… but box office may comfort the Apatows.) It’s a good get for the very busy Terry Press… but not shocking in Comedy/Musical.

Given where this season is… these nominations are pretty much a non-event. Really, the one thing that turned up here that could move the meter a touch when Oscar voting starts on Monday (and ends in 3 weeks and a day) is Rachel Weisz, who has now been honored here and by NYFCC. But the rest… not really anything outside of the curve as has been laid out for weeks and months.

[The nominations list is here.]

6 Responses to “20W2O: You’ve Been Globed”

  1. Keil S. says:

    Seems like a list of the noms or a link to them would make sense in this piece.

  2. Daniella Isaacs says:

    I, too, am glad to see Weisz getting more attention. I only saw DEEP BLUE SEA after the NYFC announcement–even though I’ve been a fan of Davies for years–but think she absolutely ranks very high this year.

  3. Walter says:

    SO glad to see the Django nods (especially DiCaprio), and also the nominations for Salmon Fishing… which I loved.

  4. “Is Christoph Waltz or Leonardo DiCaprio really giving a better acting performance in Django Unchained than DeNiro in Silver Linings Playbook?”

    Yes.

    “And will people really remember either Django supporting role over Jason Clarke’s turn in Zero Dark Thirty?”

    Love Jason though I do, absolutely.

  5. Alex says:

    I wonder if Kidman is set for another Oscar nomination now that she has SAG and GG nominations. Since she is in Supporting we don’t have to worry about comparing Drama/Musical&Comedy categories.

  6. Alex says:

    Now to answer my own question, the last supporting actresses who got SAG & GG nominations but weren’t nominated for Oscars were:

    – Mila Kunis (2010)
    – Maria Bello (2003)

    In light of this I think Kidman stands a very good chance of being nominated. She isn’t a newcomer like Mila Kunis (that year the category was also very crowded), nor is she an underrated and underused actress like Bello.

    Of course you can’t go on the basis of statistics alone, and I the 4th/5th slots are definitely a 3 way contest between Kidman/Smith/Adams, but with enough screeners, FYC ads and press, I think Kidman should be able to get over the line. She is definitely popular and the role of Charlotte Bless is sure to attract some attention.

Leave a Reply

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson