By Ray Pride Pride@moviecitynews.com

2013 National Board Of Review Awards

 

Best Film: Zero Dark Thirty

Best Director: Kathryn Bigelow, Zero Dark Thirty

Best Actor: Bradley Cooper

Silver Linings Playbook

Best Actress: Jessica Chastain, Zero Dark Thirty

Best Supporting Actor: Leonardo DiCaprio, Django Unchained

Best Supporting Actress: Ann Dowd, Compliance

Best Original Screenplay: Rian Johnson ,Looper

Best Adapted Screenplay: David O. Russell, Silver Linings Playbook

Best Animated Feature: Wreck-It Ralph

Special Achievement in Filmmaking: Ben Affleck, Argo

Breakthrough Actor: Tom Holland, The Impossible

Breakthrough Actress: Quvenzhané Wallis, Beasts of the Southern Wild

Best Directorial Debut: Benh Zeitlin, Beasts of the Southern Wild

Best Foreign Language Film:  Amour

Best Documentary: Searching For Sugar Man

William K. Everson Film History Award: 50 Years of Bond Films

Best Ensemble: Les Misérables

Spotlight Award: John Goodman

NBR Freedom of Expression Award: Central Park Five

NBR Freedom of Expression Award: Promised Land

 

 

Top 10 films

Argo

Beasts of the Southern Wild

Django Unchained

Les Miserables

Lincoln

Looper

The Perks of Being a Wallflower

Promised Land

Silver Linings Playbook

 

Top 10 Independent Films

Arbitrage

Bernie

Compliance

End of Watch

Hello I Must Be Going

Little Birds

Moonrise Kingdom

On the Road

Quartet

Sleepwalk with Me

 

Leave a Reply

Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato