2012 Critics Awards: Washington Area Film Critics Association

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Washington Area Film Critics Association

Best Film: Zero Dark Thirty

Best Director: Kathryn Bigelow (Zero Dark Thirty)

Best Actor: Daniel Day-Lewis (Lincoln)

Best Actress: Jessica Chastain (Zero Dark Thirty)

Best Supporting Actor: Philip Seymour Hoffman (The Master)

Best Supporting Actress: Anne Hathaway (Les Misérables)

Best Acting Ensemble: Les Misérables

Best Adapted Screenplay: David O. Russell (Silver Linings Playbook)

Best Original Screenplay: Rian Johnson (Looper)

Best Animated Feature: ParaNorman

Best Documentary: Bully

Best Foreign Language Film: Amour

Best Art Direction: Uli Hanisch, Hugh Bateup – Production Designers; Peter Walpole, Rebecca Alleway – Set Decorators (Cloud Atlas)

Best Cinematography: Claudio Miranda (Life of Pi)

Best Score: Jonny Greenwood (The Master)

The Joe Barber Award for Best Youth Performance: Quvenzhané Wallis (Beasts of the Southern Wild)

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain