2012 Critics Awards: Washington Area Film Critics Association

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Washington Area Film Critics Association

Best Film: Zero Dark Thirty

Best Director: Kathryn Bigelow (Zero Dark Thirty)

Best Actor: Daniel Day-Lewis (Lincoln)

Best Actress: Jessica Chastain (Zero Dark Thirty)

Best Supporting Actor: Philip Seymour Hoffman (The Master)

Best Supporting Actress: Anne Hathaway (Les Misérables)

Best Acting Ensemble: Les Misérables

Best Adapted Screenplay: David O. Russell (Silver Linings Playbook)

Best Original Screenplay: Rian Johnson (Looper)

Best Animated Feature: ParaNorman

Best Documentary: Bully

Best Foreign Language Film: Amour

Best Art Direction: Uli Hanisch, Hugh Bateup – Production Designers; Peter Walpole, Rebecca Alleway – Set Decorators (Cloud Atlas)

Best Cinematography: Claudio Miranda (Life of Pi)

Best Score: Jonny Greenwood (The Master)

The Joe Barber Award for Best Youth Performance: Quvenzhané Wallis (Beasts of the Southern Wild)

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton