2012 Critics Awards: Las Vegas Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012 | 2013

Best Picture: Life of Pi

Best Director:
Ang Lee, Life of Pi

Best Actor:
Daniel Day-Lewis, Lincoln

Best Actress:
Jennifer Lawrence, Silver Linings Playbook

Best Supporting Actor:
Tommy Lee Jones, Lincoln

Best Supporting Actress:
Anne Hathaway, Les Misérables

Best Screenplay:
Rian Johnson, Looper

Best Foreign Language Film:

Best Documentary:

Best Animated Film:

Best Cinematography:
Claudio Miranda, Life of Pi

Best Film Editing:
William Goldenberg and Dylan Tichenor, Zero Dark Thirty

Best Original Score:
Mychael Danna, Life of Pi

Best Production Design:
Arthur Max, Prometheus

Best Costume Design:
Jacqueline Durran, Anna Karenina

Best Visual Effects:
Life of Pi

Best Original Song:
Adele and Paul Epworth, Skyfall from Skyfall

Breakout Filmmaker Award:
Benh Zeitlin, Beasts of the Southern Wild

Youth in Film Award:
Suraj Sharma, Life of Pi

Lifetime Achievement Award:
Alan Arkin


1. Life of Pi
2. Zero Dark Thirty
3. Argo
4. Silver Linings Playbook
5. Lincoln
6. Moonrise Kingdom
7. The Impossible
8. Les Misérables
9. Beasts of the Southern Wild
10. The Master

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima