By MCN Editor editor@moviecitynews.com

2012 Chicago Film Critics Association Awards

“Zero Dark Thirty,” the drama chronicling the long ten-year hunt for Osama bin Laden in the wake of 9/11 hit its mark, according to the Chicago Film Critics Association. In voting for their annual awards, the film led with five awards, including Best Picture, Best Director for Kathryn Bigelow, Best Original Screenplay for Mark Boal, Best Actress for Jessica Chastain and Best Editing for William Goldenberg & Dylan Tichenor. Interestingly, both Bigelow and Boal won in the same categories three years earlier with 2009’s “The Hurt Locker,” which the group also named Best Picture. As for Chastain, this marks the second year in a row where she has been cited by the CFCA, having won their Best Supporting Actress prize last year for “The Tree of Life.”

In second place with four awards was “The Master,” Paul Thomas Anderson’s complex drama about an aimless young man in post-war America who falls under the spell of a charismatic leader of a mysterious new movement. For his performance as that leader, Philip Seymour Hoffman was named Best Supporting Actor and as his equally determined wife, Amy Adams was named Best Supporting Actress. In addition, Mihai Milaimare Jr. won the award for Best Cinematography while Jonny Greenwood took the prize for Best Original Score.

Tying for third with two awards each were “Lincoln,” Steven Spielberg’s drama following the efforts of the 16th president to pass an amendment abolishing slavery in the face of enormous odds, and “Beast of the Southern Wild,” the visionary low-budget drama about a resourceful six-year-old girl living in a remote Louisiana floodplain who sets off on a journey to find her long-lost mother when her father becomes seriously ill. The former won awards for Daniel Day-Lewis for Best Actor and Tony Kushner for Adapted Screenplay while the latter took home the Most Promising Filmmaker prize for Benh Zeitlin, who received four individual nominations for his work on the film, and Most Promising Performer for young Quvenzhane Wallis for her extraordinary work in the central role.

Among the other films cited by the group, “Amour,” the heart-wrenching drama by Michael Haneke chronicling the physical and emotional horrors that befall an aging couple when one is beset by a cruel and debilitating illness, received the prize for Best Foreign-Language Film. Gerald Sullivan and Adam Stockhausen won the newly established Art Direction/Production Design award for their contributions to the whimsical pre-teen romantic comedy “Moonrise Kingdom.” “The Invisible War,” the eye-opening film focusing on rape in the military was named Best Documentary and “Paranorman,” the delightful stop-motion fantasy about an odd young boy with the ability to see and communicate with the dead, won for Best Animated Film.

Now in its 23rd year, the CFCA will be presenting their awards at a ceremony to be held on February 9, 2013.

Awards Tally
5–Zero Dark Thirty
4–The Master
2–Beasts of the Southern Wild
Lincoln
1- Amour
The Invisible War
Moonrise Kingdom
Paranorman

Leave a Reply

Quote Unquotesee all »

Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious

“I love it! Shia’s crazy and he’s great. It’s a good combination for me. I don’t know if he’s going to jump up and attack me, or the camera, or the actor, and I kind of enjoy that. He brings something unexpected, all the time. A little frightening, a little grey, so I really enjoy that kind of madness. I think he takes this work very serious, really serious, and sometimes maybe that comes across arrogant or annoying, and I understand that. But it’s nice when someone cares so much. I don’t know how easy it is to be a big movie star, I’ll never understand that world, but to show up and care that much, to me, is a nice deal and I’ll take it. With all the craziness.”
~ Dito Montiel On Shia Labeouf