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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

This is it. Vote.

Voted. Dropped off our ballots. Finding it hard to concentrate on anything else today. This is it. Months of supporting Obama, carving money out of our limited budget every month to give to his campaign. Months of talking to friends inclined to support Romney, trying to (hopefully gently) persuade them to change their minds. Months of waiting, watching polls, watching debates. Hoping. It all comes down to today. Has it all been enough?

What values will our country uphold today? Will we support women’s rights, universal health care, education, immigrants, the right of two people to marry the person they love, the idea that the rich should not benefit on the backs of the poor and the struggling middle class? I wish I didn’t care so much. I cannot help but care so much. Now, I’d like to drink a Xanax smoothie and crawl under a quilt under it’s over, please.

Our president looked powerful and presidential last night at his last campaign speech. Never have I put so much faith in one man to fight these battles on our behalf. May the odds be ever in our favor.

3 Responses to “This is it. Vote.”

  1. KMS says:

    Must every Obama lovefest contain the phrase “Xanax smoothie?”

    And let’s not forget that he’s been in office for 4 years and hasn’t changed the marriage laws (all he’s changed is his opinion on the matter, just in time for the election). In fact he hasn’t done much of anything, but we’ll choose to ignore that in favor of bashing Romney before he has the chance to be as bland and unproductive as Obama.

    Meanwhile, celebrities are begging for Sandy relief funds from the same rich folks they’ve been badmouthing all year. Liberals have become as pathetic as conservatives. A woman with no job, no ID, no citizenship paperwork, and 8 kids is instantly given more respect than a randomly selected rich, white businessman. This country is becoming a bigger joke than ever.

    I believe in abortion. In fact, I usually think it should be mandatory. I also believe in capital punishment. But if you want to keep making hard-working, wealthy people fork over a higher percentage of their income than anyone else, so that these countless prisoners have 3 hots and a cot for the next 50 years, go right ahead.

    As long as The Learning Channel’s programming continues to reflect America’s downward trajectory, this country is screwed, no matter who leads it. Same guy holding both puppets. Hicks was right.

    The sad part is that no one will read or care about what I’ve said because no one cares about Voynar’s column, and this site is only visited by liberal sycophants who grow moist at the scent of political bias. Give up. Give up. Give up.

  2. spassky says:

    self exceptionalism. pedantry.

    These are not proof of anything but your own inflated self-worth. Have fun with that, KMS.

  3. KMS says:

    done and done

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“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award