By Ray Pride Pride@moviecitynews.com

HOT DOCS BOARD OF DIRECTORS NEW APPOINTMENTS

At Hot Docs’ recent AGM, the organization said farewell to long-serving Board directors and former co-chairs Louise Lore and Norm Bolen, as well as filmmakers Yanick Létourneau (Peripheria Productions, Montreal) and Danijel Margetic (Balkan Films, Toronto). Hot Docs would like to thank these Board members for their passionate guidance, tremendous support and invaluable contributions to the organization’s dynamic growth and stability.

Since stepping in as Hot Docs’ executive director and its first full-time employee 15 (!) years ago this month, I’ve had the great pleasure of working with five outstanding Board co-chairs. At our AGM last week, Louise Lore and Norm Bolen stepped down from our board after more than 25 years of combined volunteer service. Having them mentor, champion and challenge me and our team has been one of the highlights of my career, and one of the reasons our festival continues to succeed. Louise and Norm set the tone and instilled a sense of professionalism in those early years, and they consistently made the staff feel that they were working for us rather than the reverse. They made us look good and work smarter, and helped us attract other high-performing board and staff who’ve worked together to make this Festival great. On behalf of our Board of Directors, staff and, of course me personally, I offer many, many thanks to you both.

- Chris McDonald, Executive Director

Hot Docs is pleased to welcome Barry Avrich (Melbar Entertainment Group, Toronto), Charlotte Engel (Rock Yenta Productions, Toronto), and Katarina Soukup (Catbird Productions, Montreal) to the organization’s Board of Directors. We look forward to working with them on our upcoming 20th anniversary edition, and for many festivals more.

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“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman