By Ray Pride Pride@moviecitynews.com

HOT DOCS BOARD OF DIRECTORS NEW APPOINTMENTS

At Hot Docs’ recent AGM, the organization said farewell to long-serving Board directors and former co-chairs Louise Lore and Norm Bolen, as well as filmmakers Yanick Létourneau (Peripheria Productions, Montreal) and Danijel Margetic (Balkan Films, Toronto). Hot Docs would like to thank these Board members for their passionate guidance, tremendous support and invaluable contributions to the organization’s dynamic growth and stability.

Since stepping in as Hot Docs’ executive director and its first full-time employee 15 (!) years ago this month, I’ve had the great pleasure of working with five outstanding Board co-chairs. At our AGM last week, Louise Lore and Norm Bolen stepped down from our board after more than 25 years of combined volunteer service. Having them mentor, champion and challenge me and our team has been one of the highlights of my career, and one of the reasons our festival continues to succeed. Louise and Norm set the tone and instilled a sense of professionalism in those early years, and they consistently made the staff feel that they were working for us rather than the reverse. They made us look good and work smarter, and helped us attract other high-performing board and staff who’ve worked together to make this Festival great. On behalf of our Board of Directors, staff and, of course me personally, I offer many, many thanks to you both.

- Chris McDonald, Executive Director

Hot Docs is pleased to welcome Barry Avrich (Melbar Entertainment Group, Toronto), Charlotte Engel (Rock Yenta Productions, Toronto), and Katarina Soukup (Catbird Productions, Montreal) to the organization’s Board of Directors. We look forward to working with them on our upcoming 20th anniversary edition, and for many festivals more.

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~ Sam Shepard Sings America

“Every film has to stand next the best that has been done. Otherwise we are all dupes. My criticism is never a personal disparagement but I do take art seriously and take film criticism seriously. Replace ‘harsh’ with ‘honest’ because that’s how every critic should be. Being a film critic can be fun—as well as hard work. Being Rotten Tomatoes is just juvenile idiocy, a way of nullifying real film criticism.When websites and cliques expel me, it’s a sign of the culture’s weak and cowardly inability to engage in discourse. If there is such a thing as contrarianism, then please define the conformity and group-think that it’s contrary to… A critic needs a strong voice. A gentleman has manners.”
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