By Ray Pride Pride@moviecitynews.com

HOT DOCS BOARD OF DIRECTORS NEW APPOINTMENTS

At Hot Docs’ recent AGM, the organization said farewell to long-serving Board directors and former co-chairs Louise Lore and Norm Bolen, as well as filmmakers Yanick Létourneau (Peripheria Productions, Montreal) and Danijel Margetic (Balkan Films, Toronto). Hot Docs would like to thank these Board members for their passionate guidance, tremendous support and invaluable contributions to the organization’s dynamic growth and stability.

Since stepping in as Hot Docs’ executive director and its first full-time employee 15 (!) years ago this month, I’ve had the great pleasure of working with five outstanding Board co-chairs. At our AGM last week, Louise Lore and Norm Bolen stepped down from our board after more than 25 years of combined volunteer service. Having them mentor, champion and challenge me and our team has been one of the highlights of my career, and one of the reasons our festival continues to succeed. Louise and Norm set the tone and instilled a sense of professionalism in those early years, and they consistently made the staff feel that they were working for us rather than the reverse. They made us look good and work smarter, and helped us attract other high-performing board and staff who’ve worked together to make this Festival great. On behalf of our Board of Directors, staff and, of course me personally, I offer many, many thanks to you both.

- Chris McDonald, Executive Director

Hot Docs is pleased to welcome Barry Avrich (Melbar Entertainment Group, Toronto), Charlotte Engel (Rock Yenta Productions, Toronto), and Katarina Soukup (Catbird Productions, Montreal) to the organization’s Board of Directors. We look forward to working with them on our upcoming 20th anniversary edition, and for many festivals more.

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork