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Ray Pride

By Ray Pride Pride@moviecitynews.com

Dante Ferretti On Working With Pasolini (2’36”)

From Criterion’s “Trilogy of Life” boxset. “Legendary production designer Dante Ferretti is known to moviegoers everywhere for the elaborate and period-precise but fanciful worlds he has created for such films as Terry Gilliam’sThe Adventures of Baron MunchausenNeil Jordan’s Interview with the Vampire, and Martin Scorsese’s Hugo (for which he won an Oscar this year). Among his first projects as art director were the films in Pier Paolo Pasolini’s “Trilogy of Life,” which also tread the line between the gritty and the fantastic. In this clip from a new Criterion interview with him—who had already served as an assistant production designer on Pasolini’s The Gospel According to St. Matthew, The Hawks and the Sparrows, and Oedipus RexFerretti describes envisioning The Decameron with Pasolini, divulges the director’s penchant for sliding down banisters, and explains the importance of making mistakes.”

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“It was always a crisis, but we had a great time,” James Schamus said, grinning. “Now I know how much fun directing is. I didn’t know. No one told me.”

“Athina Rachel Tsangari looks at men as if they are creatures from one of the wildlife documentaries she referred to in her poignant debut Attenberg. She is part of a undeclared new school of cinema, which might be called ‘The Behaviouralists’. So far there is only one other member of this school, Yorgos Lanthimos, whom she has previously collaborated with. He recently made The Lobster which sees Colin Farrell play a man who chooses a lobster as the animal he must turn into if he loses a bizarre relationship game in a hotel-cum-sanitorium. Games, systems and rules are essential for the Behaviouralists yet always in flux.”
~ Bert Rebhandl in Frieze

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