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MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

Confessions of a Film Festival Junkie: AFI 2012

The AFI Fest opened Friday with the world premiere of Hitchcock, a likable yarn focusing on the iconic filmmaker and his wife at the time of his filming Psycho. In retrospect it seemed an almost anachronistic choice in light of the recent broadcast of The Girl, a more Machiavellian portrait of the man and his mentor/Svengali relationship with his Birds discovery Tippi Hedren.

The event runs through November 8 when Steven Spielberg’s portrait of Lincoln and the passage of Amendment 13 giving blacks equal rights following emancipation rings down the curtain.

So, a brief word about opening and closing nights. These bookends exist irrespective of what one might term the filling of any cinematic sandwich. They are designed for festival patrons and sponsors that might otherwise never set foot on this or other celluloid territory. As such they demand films that entertain and provide a sense of worthwhile but not oppressive art. And such a sleight-of-hand requires a stern application of Hippocrates dicta: First, do no harm. It might also be argued that this is also the last word and to that end AFI has fulfilled its initial task.

The evolution of AFI Fest has been peripatetic. Its roots can be traced back to the 1970s and Los Angeles first major movie smorgasbord FilmEx which its current proprietor acquired in receivership. Essentially it’s survived by adapting and adapting again and again and today is a first tier Festival of Festivals bolstered to some extent by its position on the calendar.

Situated between early autumn discovery events including Toronto and Venice and the awards season that culminates with the Oscar telecast, AFI Fest is an opportunity to put the spotlight on American and international films hoping to translate critical acclaim into box office rewards. It coincides with the annual American Film Market, one of the premier sales and acquisition events for the global movie industry.

Many major film festivals embrace film markets for myriad reasons including political considerations (securing anticipated movies) and commercial affiliation (generating revenue). But the AFMA is independent of the AFI Fest and despite such reciprocal nods as shuttles between events and mutual accreditation there remains a major hurdle that cannot be cleared. The festival unspools in Hollywood and the market is firmly planted in Santa Monica. In a city as crippled by traffic strategies the roughly seven miles that separates the two can account for a commute of more than an hour during high congestion periods.

All that (and more) aside the lineup of AFI Fest 2012 is across the board impressive. There’s a smart balance of the accessible and the arcane, lauded filmmakers and nascent talent, narrative and non-fiction and nods to archival as well as family offerings. In the coming days I’ll endeavor to make some sense of the selections but for the nonce I have to get to my next screening.

 

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Klady

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Would you consider yourself a good person?
I would consider myself … decent as I got older. When I was younger I was less sensitive, in my 20s. But as I got older and began to see how difficult life was for everybody, I had more compassion for other people. I tried to act nicer, more decent, more honorable. I couldn’t always do it. When I was in my 20s, even in my early 30s, I didn’t care about other people that much. I was selfish and I was ambitious and insensitive to the women that I dated. Not cruel or nasty, but not sufficiently sensitive.
You viewed women as temporary fixtures?
Yes, temporary, but as I got older and they were humans suffering like I was … I changed. I learned empathy over the years.
~ Woody Allen To Sam Fragoso For NPR

“To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence. It looks to me very much like a significant section of the public, having given up on attempting to understand the reality they are actually living in, have instead reasoned that they might at least be able to comprehend the sprawling, meaningless, but at-least-still-finite ‘universes’ presented by DC or Marvel Comics. I would also observe that it is, potentially, culturally catastrophic to have the ephemera of a previous century squatting possessively on the cultural stage and refusing to allow this surely unprecedented era to develop a culture of its own, relevant and sufficient to its times.”
~ “Watchmen”‘s Alan Moore At His Alan Moore-iest

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