By Ray Pride Pride@moviecitynews.com

Call for support to Bahman Ghobadi upon the arrest of his brother

The Thessaloniki International Film Festival wishes to express its fervent support to Kurdish Iranian film director Bahman Ghobadi and his brother, Behrouz Ghobadi, who was recently arrested and is currently detained by the Iranian authorities.

Bahman Ghobadi, one of the honored directors during the 53rd Thessaloniki International Film Festival, which was concluded 10 days ago, has made a public appeal to the Iranian government for the immediate release of his brother, who he believes is detained illegally. In his protest letter, the award-winning filmmaker, who has been a self-exile since 2009, states: ”My younger brother, Behrouz Ghobadi, disappeared more than two weeks ago, and I have learned that he has been detained by Iranian authorities and accused of acting against national security…He has never been involved in any political or opposition activities.  He was interested in film, served as a production manager in some of my movies and directed a few short films. We are extremely worried about Behrouz, especially because of his chronic health issues. We ask that the Iranian authorities release him without delay.”

The Thessaloniki International Film Festival condemns any form of violation of human rights and declares its full solidarity to Bahman and Behrouz Ghobadi, hoping for the quickest and most successful resolution of the case.

- 30 -

Leave a Reply

Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook