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By Ray Pride Pride@moviecitynews.com

Call for support to Bahman Ghobadi upon the arrest of his brother

The Thessaloniki International Film Festival wishes to express its fervent support to Kurdish Iranian film director Bahman Ghobadi and his brother, Behrouz Ghobadi, who was recently arrested and is currently detained by the Iranian authorities.

Bahman Ghobadi, one of the honored directors during the 53rd Thessaloniki International Film Festival, which was concluded 10 days ago, has made a public appeal to the Iranian government for the immediate release of his brother, who he believes is detained illegally. In his protest letter, the award-winning filmmaker, who has been a self-exile since 2009, states: ”My younger brother, Behrouz Ghobadi, disappeared more than two weeks ago, and I have learned that he has been detained by Iranian authorities and accused of acting against national security…He has never been involved in any political or opposition activities.  He was interested in film, served as a production manager in some of my movies and directed a few short films. We are extremely worried about Behrouz, especially because of his chronic health issues. We ask that the Iranian authorities release him without delay.”

The Thessaloniki International Film Festival condemns any form of violation of human rights and declares its full solidarity to Bahman and Behrouz Ghobadi, hoping for the quickest and most successful resolution of the case.

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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