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Ray Pride

By Ray Pride Pride@moviecitynews.com

TIFF’s “VOD Killed The DVD Star” (1’03″04)

An “Industry Dialogue” with IFC Films’ Jonathan Sehring, Winnie Lau (VP Sales and Acquisitions, Fortissimo Films), Edward Burns, Tom Quinn (RADius-TWC) and Philip Knatchbull (Curzon Artificial Eye). From TIFF’s catalog description: “The last year has seen numerous independent films gross just as much or more through video on demand as through theatrical release. With independent filmmakers such as Edward Burns releasing films exclusively through VoD, and distributors such as Magnolia Pictures and the Weinstein Company’s Radius increasingly moving to multi-platform strategies, VoD seems poised to replace DVD and theatrical as the main distribution channel for independent films. Join Radius-TWC Co-President Tom Quinn, independent filmmaker Edward Burns and other industry experts for a discussion on how to properly position your film in the marketplace and maximize the potential of this burgeoning platform.”

One Response to “TIFF’s “VOD Killed The DVD Star” (1’03″04)”

  1. Sarina says:

    This is tragic, because VOD is no different from straight to video. Movies are no longer allowed the timespan to grow an audience in theatres.

    I much prefer DVDs, because I like to collect films.

Movie City Indie

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner