MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

The Weekend Report: Abandon Hope

A couple of new releases hardly made a ripple in weekend movie going that sunk to a level not seen in decades. The Words, a convoluted yarn of authorship, bowed to an estimated $4.8 million that ranked fourth on the leader board while the thriller The Cold Light of Day – a leftover from Summit films_bowed with $1.8 million. The latter film has already opened overseas where it grossed a disappointing $12.5 million.

In the niches, 1981’s Raiders of the Lost Ark was reissued exclusively on Imax screens and grossed a respectable $1.6 million. However, there was negligible product placement for the futuristic parable Branded that debuted to $250,000 at 307 venues and new Indian imports Hindi Raaz 3 and Telegu Shirdi Sai Baba received tepid response.

Exclusive newcomers were generally dull with only the gay relationship Keep the Lights On; the offbeat rom-com Hello I Must Be Going; and a single screen bow for the non-fiction Detropia displaying the slightest bit of encouraging commercial signs.

Overall weekend box office added up to a smidgen more than $65 million and a 38% plunge from the 3-day portion of last weekend’s holiday session. It was also 18% down from 2011 when the $22.4 million debut of Contagion top the charts.

It was the lowest weekend box office of the past decade and adjusted for admissions one would have to embark on an Indian Jones expedition to find a worse attended session historically. One can only hope that it’s the combination of disinterest for recent product combined with spent interest in holdover fare that’s contributed to such a stark result. Pray that it’s an anomaly.

About the only titles that appear to be maintaining some continued appeal are alternative and adult such as Robot & Frank, Samsara and Sleepwalk with Me. So unless one lives in one of the 25 major metropolitan areas, keep an eye out for pay-per-view opportunities.

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Title Distributor Gross (average) % change * Theaters Cume
The Possession Lions Gate 9.6 (3,380) -46% 2834 33.4
Lawless Weinstein Co. 5.9 (1,880) -41% 3138 23.4
The Expendables Lions Gate 4.8 (1,470) -47% 3260 75.5
The Words CBS 4.8 (1,730) NEW 2801 4.8
ParaNorman Focus 4.1 (1,440) -35% 2856 45.4
The Bourne Legacy Uni 4.0 (1,450) -45% 2766 103.7
The Odd Life of Timothy Green BV 3.7 (1,370) -41% 2717 43.1
The Campaign WB 3.5 (1,370) -39% 2542 79.4
2016 Obama’s America Rocky Mountain 3.3 (1,630) -41% 2017 26.1
The Dark Knight Rises WB 3.2 (1,630) -47% 1987 437.8
Hope Springs Sony 2.8 (1,160) -40% 2437 57.6
Premium Rush Sony 2.2 (1,030) -44% 2182 16.7
The Cold Light of Day Lions Gate 1.8 (,210) NEW 1511 1.8
Raiders of the Lost Ark (reissue) Par 1.6 (6,100) NEW 267 1.6
Hit and Run Open Road 1.1 (600) -48% 1810 12.5
Ice Age: Continental Drift Fox .83 (1,090) -36% 763 157.2
Diary of a Wimpy Kid: Dog Days Fox .81 (870) -43% 931 46.7
Sparkle Sony .79 (900) -56% 873 23.4
The Avengers BV .77 (640) -60% 1209 621.4
Brave BV .70 (730) -51% 959 233.4
Ted Uni .55 (1,070) -32% 515 216.9
The Amazing Spider-Man Sony .53 (1,220) -43% 435 260.5
Robot and Frank IDP .52 (2,570) -25% 202 2
Total Recall Sony .44 (850) -49% 517 57.6
Celeste and Jesse Forever Sony Classics .39 (890) -45% 441 2.6
Madagascar 3: Europe’s Most Wanted Par .38 (1,110) -43% 345 215.2
Beasts of the Southern Wild Searchlight/eOne .36 (1,350) -31% 269 10.3
Sleepwalk with Me IFC .33 (4,520) 2% 73 0.87
Intouchables Alliance/Weinstein .31 (1,580) -19% 194 11.8
Weekend Total ($500,000+ Films) $61.90
% Change (Last Year) -18%
% Change (Last Week) -38%
Also debuting/expanding
Branded Barboss .25 (820) 307 0.25
For a Good Time, Call … Focus .22 (3,890) 51% 56 0.45
Samsara Oscilloscope .19 (7,560) 76% 25 0.48
Bachlorette Weinstein Co. .18 (3,850) 47 0.18
Shirdi Sai Baba Sree Lakshmi .16 (3,080) 53 0.16
Searching for Sugar Man Sony Classics .13 (3,880) -9% 33 0.91
Killer Joe LD .12 (1,810) -50% 68 1.6
Raaz 3 Fox Intl .10 (3,610) 28 0.1
Keep the Lights On Music Box 53,300 (10,060) 5 0.05
Un Bonheur n’arrive jamais seul Remstar 38,800 (3,880) 10 0.03
The Inbetweeners Wrekin Hill 31,900 (3,190) 10 0.03
The Eye of the Storm Sycamore 26,600 (3,800) 7 0.03
Hello I Must Be Going Oscilloscope 25,700 (12,850) 2 0.03
Ajj de Ranjhe Big Pictures 21,900 (1,680) 13 0.02
Detropia Loki 16,500 (16,500) 1 0.02
Toys in the Attic Hannover House 14,200 (570) 25 0.01
Adieu Berthe Metropole 13,800 (4,450) 3 0.01
Beauty is Embarrassing Tremolo 13,500 (4,500) 3 0.01
Beat Down Equinoxe 9,700 (1,210) 8 0.01
For Ellen TriBeCa 5,900 (5,900) 1 0.01
Girl Model First Run 4,800 (4,800) 1 0.01
Pickin’ & Grinnin’ House Lights 3,700 (1,850) 2 0.01

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Klady

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“Last night’s Oscar bizarreness was not just bizarre but bizarre in a way that is typical of this entirely bizarre time. The rhythm of the yes-they-won-oh-my-God-no-they-didn’t event, with La La Land replaced by Moonlight as Best Picture, was weirdly like that of… Election Night. First, a more or less expected, if “safe,” result was on its way—though Hillary Clinton never got all the way to the stage, so to speak, the result did seem safely in hand at 7pm., according to the polling—and the expected and safe people were ready to deliver their touching but obviously polished pieces. Then the sudden confusion and visible near-panic of people running around in the backgroun, with the same slightly horrified spirit that one felt on Election Night as shocking results began emerging from exurban counties in Florida. Then, yes—can this be happening?—the revised and unexpected result.

“In this case, obviously, the result was positive to all but the poor La La Land producers, with their earnest and spouse-approved speeches already delivered. Moonlight was no Donald Trump of cinema, and obviously a popular favorite. But the rhythm of the night was disconcertingly the same, and the sheer improbability of the happenstance scarily alike. Nothing like this has remotely happened before. This wasn’t just a minor kerfuffle. This was a major malfunction. Trump cannot be President. People don’t say “Grab ’em by the pussy” and get elected President. Can’t happen. In the same way, while there have been Oscar controversies before—tie votes and rejected trophies—never before has there been an occasion when the entirely wrong movie was given the award, the speeches delivered, and then another movie put in its place. That doesn’t happen. Ever.

“And so both of these bizarre events put one in mind of a simple but arresting thesis: that we are living in the Matrix, and something has gone wrong with the controllers. This idea was, I’m told, put forward first and most forcibly by the NYU philosopher David Chalmers: what is happening lately, he says, is proof that we are living in a computer simulation and that something has recently gone haywire within it. The people or machines or aliens who are supposed to be running our lives are having some kind of breakdown. There’s a glitch, and we are in it. There may be not merely a glitch in the Matrix. There may be a Loki, a prankster, suddenly running it.”
~ Adam Gopnik

“I think they were focused so hard on politics that they didn’t get the act together at the end,” President Trump said. “It was a little sad. It took away from the glamour of the Oscars. It didn’t feel like a very glamorous evening. I’ve been to the Oscars. There was something very special missing, and then to end that way was sad.”
~ Trump Offers Breitbart Exclusive On His Thinking About Oscar