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By DP30 david@thehotbuttonl.com

DP/30 @ TIFF 2012: Silver Linings Playbook, actor Bradley Cooper

9 Responses to “DP/30 @ TIFF 2012: Silver Linings Playbook, actor Bradley Cooper”

  1. Andrew S says:

    Wow David – when did you become such a tough interviewer? You really grilled him, but in a good way. Kudos!

  2. David Poland says:

    Every conversation has its own atmosphere. Bradley was a very game subject. I didn’t think I was being tough at all.

  3. sanj says:

    DP – you didn’t ask enough about other movies other than hangover series ….

  4. StellaPD says:

    In all fairness, the conversation is less than 30 minutes long. He can only ask so many questions, and Cooper is promoting specific films that played in Toronto. Those films are mentioned along with The Hangover I/II and Limitless. If you tried covering everything he’s done, you’d have 15 second answers and a lackluster interview. I enjoyed it. Cooper seems like a thoughtful, intelligent dude.

  5. sanj says:

    yeah but they didn’t even talk about Limitless in any sort of detail .. discussing a few smaller movies he’s done might have been interesting …like the Midnight Meat Train

  6. berg says:

    I want to see a DP/30 with Joaquin Phoenix where you ask him his name five times in a row

  7. The Pope says:

    Great interview. Really fast, really engaging. A helluva lotta ground covered.

  8. Hallick says:

    It’s no longer the time to talk about Limitless in detail, sanj. If it didn’t come up, it didn’t come up.

  9. I totally agree with David, you will made this guy sweat like a pig and I like that too. I think these are the best interviews actually, when you will really put these guys in the spot with no worries.

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“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award