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By DP30 david@thehotbuttonl.com

DP/30 @ TIFF 2012: Silver Linings Playbook, actor Bradley Cooper

9 Responses to “DP/30 @ TIFF 2012: Silver Linings Playbook, actor Bradley Cooper”

  1. Andrew S says:

    Wow David – when did you become such a tough interviewer? You really grilled him, but in a good way. Kudos!

  2. David Poland says:

    Every conversation has its own atmosphere. Bradley was a very game subject. I didn’t think I was being tough at all.

  3. sanj says:

    DP – you didn’t ask enough about other movies other than hangover series ….

  4. StellaPD says:

    In all fairness, the conversation is less than 30 minutes long. He can only ask so many questions, and Cooper is promoting specific films that played in Toronto. Those films are mentioned along with The Hangover I/II and Limitless. If you tried covering everything he’s done, you’d have 15 second answers and a lackluster interview. I enjoyed it. Cooper seems like a thoughtful, intelligent dude.

  5. sanj says:

    yeah but they didn’t even talk about Limitless in any sort of detail .. discussing a few smaller movies he’s done might have been interesting …like the Midnight Meat Train

  6. berg says:

    I want to see a DP/30 with Joaquin Phoenix where you ask him his name five times in a row

  7. The Pope says:

    Great interview. Really fast, really engaging. A helluva lotta ground covered.

  8. Hallick says:

    It’s no longer the time to talk about Limitless in detail, sanj. If it didn’t come up, it didn’t come up.

  9. I totally agree with David, you will made this guy sweat like a pig and I like that too. I think these are the best interviews actually, when you will really put these guys in the spot with no worries.

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DP/30

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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