“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By David Poland firstname.lastname@example.org
Lars Von Trier Challenges the People
Lars Von Trier Challenges the People
Gesamt – an open invitation to people around the globe
What happens when a master challenges the people? Danish cinema’s most famous film director is asking people around the globe to reinterpret six great works of art through the lens of their camera or recording of sound. It is the master himself, Lars von Trier, who has set the rules of this groundbreaking, user-generated film project Gesamt. But it’s you, me and everyone else who are asked to create the material, while the director Jenle Hallund puts it all together in the end. What is the result when people reinterpret the great and controversial art pieces of our time? Is it for everyone to make art? What is art? And do we stand out the most when we stand together?
Gesamt is both a provocation and an invitation. By bringing together material from people around the world, we have the opportunity to create a film that has the potential to push the limits of what art is, can and should be. A film that examines what happens when we interact with each other and the space around us.
Participants may shoot up to five minutes of material, do so several times, and send their material to Gesamt before September 6, 2012. Technical skills are not the biggest priority – originality and enthusiasm are much more important. Selected material will be put together into a larger whole by the Danish film director Jenle Hallund. She has previously collaborated with Lars von Trier, and in 2011 she won a Danish film award Robert for the Long fiction / Animation film of the Year as co-director for the film Limbo Land.
“This project is interesting because it is based on ordinary people’s creativity and imagination. Therefore It has the potential to reveal the health of a civilization by exposing its soul. Together we can try and create a cacophonous testimony of the human conditions greater purpose than power and profit.. When these great works are filtered through the body and mind, what do we end up with? Regimentation or revolution? Bigotry or innovation?” asks Jenle Hallund.
Where do we come from?
Everyone who wishes to participate can draw inspiration from one or several of the selected six art pieces: James Joyce’s work Ulysses, which once was banned in the United States because it was seen as obscene and lewd. Or one can be inspired by August Strindberg’s famous play The Father, which still stands as a striking example of a dysfunctional family. Then there is the somewhat more controversial monument the Zeppelinfield in Nuremberg, created by Hitler’s main architect Albert Speer. You can also choose the painting Where do we come from? Who are we? Where are we going? by the French painter Paul Gauguin, or you can listen and interpret the French composer César Franck’s improvisations. And then, last but not least, you may choose to be inspired by Sammy Davis Jr., who stepped himself into the hearts of people through song.
A community masterpiece
The concept gesamtkunstwerk can be explained as ‘the universal work of art’ or ‘synthesis of the art’. It refers to a piece of art that has been made up of many different types of art. Film is one of the only types of media which can accommodate several types of art forms at once. By using the idea of Gesamt in a user-generated film project we are taking the concept one step further: A universal work of art is not only created by many different art forms but also by a diversity and multitude of people.
What the result of Gesamt will be, no one knows – yet. There is no script, just a cinematic experiment that gradually comes to life by people, thoughts, images and sound that merge into each other and form new meanings and constellations. The final work, which will premiere on October 12.2012, is a reflection on our time and the people who live in it: a community masterpiece.
Participants can submit: August 6. – September 6. 2012
Note: Early submissions are greatly appreciated.
Gesamt will premiere: October 12. 2012 at Kunsthal Charlottenborg in Copenhagen.
Gesamt is produced by the Copenhagen Art Festival. Copenhagen Art Festival is an international festival of contemporary art organized by Charlottenborg, Nikolaj Kunsthal, The Free Exhibition Hall, Overgaden Institute of Contemporary Art and the Art Association GL STRAND in collaboration with the festival secretariat. The festival opens 24th of August and continues throughout the fall.
For further information contact:
Niels Jarler, Head of Communication, Copenhagen Art Festival, P: +45 26 11 89 97, E: email@example.com
Nadia Claudi, Producer Gesamt, P: +45 26 11 89 98, E: firstname.lastname@example.org
Please visit: www.gesamt.org
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S-more (DSB) and Commute Media
Writer/translator Sven Holm, translator/consultant Flannery Miller (globalvideoletters.og), Program editor at Cinemateket/The Danish Film Institute (DFI) Rasmus Brendstrup, Head of the Film Workshop (DFI) Prami Larsen, Stockholm University, Litteraturbanken,se, violinist Regino Madrid and Washington Musica Viva
The Danish Film Institute, DAC The Danish Architecture Centre, Loppen, The Royal Danish Academy of Fine Arts, SNYK, The Factory of Art and Design, and ARKEN Museum of Modern Art
The Danish Arts Council, The City of Copenhagen – The Culture and Leisure Committee, The Capital Region of Denmark and the Ministry of Culture Denmark
Official partners and contributors
Nordea-fonden, the Obel Family Foundation, the Danish Art Workshops, the Pools and Lottery Funds of the Danish Ministry of Children and Education, Skoletjenesten, Nordplus, Nykredit Foundation, the George Jorck and Emma Jorck Foundation, Nordic Culture Point, Creative Scotland, Wonderful Copenhagen, the Beckett Foundation, the International Press Initiative Denmark, the Danish Composers’ Society’s Production Pool and KODA’s Fund for Social and Cultural Purposes, Ellen og Knud Dalhoff Larsens Fond, Metroselskabet Byens Hegn, FRAME Visual Arts Finland, S.C. Van Fonden, Knud Højgaards Fond, Billedhuggeren Gerhard Hennings Legat, CPH AIR Copenhagen Artist in Residency, Goethe-Institut Denmark, British Council Denmark, Institut Français Denmark, The Finnish Cultural Institute in Denmark, The Danish Cultural Institute/Benelux, Istituto Italiano di Cultura di Copenaghen, EUNIC European Union National Institutes for Culture, Embassy of Brazil in Copenhagen, Embassy of Mexico in Denmark, The Embassy of the Republic of Poland in Copenhagen, Swedish Embassy in Copenhagen.