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By DP30 david@thehotbuttonl.com

DP/30 Emmywatch ’12: Mad Men, actor Christina Hendricks

One Response to “DP/30 Emmywatch ’12: Mad Men, actor Christina Hendricks”

  1. anghus says:

    Easily her best season on Mad Men. In a show that is often about compromise and the struggle to find substance in a world obsessed with surface, Joan became the personification of that struggle.

    Don Draper had always been the centerpiece of that struggle. A man who considered himself to be morally sound in spite of his many failings. The other supporting characters were all at different places on the moral compass. Every year compromise seems to find one of them as each character gets their hands dirty.

    This year we saw Lane cross that line, one that cost him his life. And while Lane had the saddest and most damning arc, it was Joan that had to live with her choice. She had always been the beautiful, seductive icon of this ore-fab time. And even though she had her share of flings, they were always of her choosing. When the firm asks her to do the unthinkable, the choice she makes never feels obvious. And that fantastic scene between Hendricks and John Hamm where he tells her she doesn’t have to do it… and the subsequent scene in the boardroom where he realizes she already had… it’s just brilliant. The entire season was fantastic, but those final few episodes with the Jaguar campaign. As Ginsburg spins that pitch to Don: “At last, something beautiful you can truly own”, and you realize that Joan has now sold her soul for financial security… it’s the kind of writing and acting you’re only going to find on a show like Mad Men.

    On a show with so many good actors, Hendericks really killed it this year. I hope she wins.

DP/30

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What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris