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DP/30 Emmywatch ’12: Mad Men, actor Christina Hendricks

One Response to “DP/30 Emmywatch ’12: Mad Men, actor Christina Hendricks”

  1. anghus says:

    Easily her best season on Mad Men. In a show that is often about compromise and the struggle to find substance in a world obsessed with surface, Joan became the personification of that struggle.

    Don Draper had always been the centerpiece of that struggle. A man who considered himself to be morally sound in spite of his many failings. The other supporting characters were all at different places on the moral compass. Every year compromise seems to find one of them as each character gets their hands dirty.

    This year we saw Lane cross that line, one that cost him his life. And while Lane had the saddest and most damning arc, it was Joan that had to live with her choice. She had always been the beautiful, seductive icon of this ore-fab time. And even though she had her share of flings, they were always of her choosing. When the firm asks her to do the unthinkable, the choice she makes never feels obvious. And that fantastic scene between Hendricks and John Hamm where he tells her she doesn’t have to do it… and the subsequent scene in the boardroom where he realizes she already had… it’s just brilliant. The entire season was fantastic, but those final few episodes with the Jaguar campaign. As Ginsburg spins that pitch to Don: “At last, something beautiful you can truly own”, and you realize that Joan has now sold her soul for financial security… it’s the kind of writing and acting you’re only going to find on a show like Mad Men.

    On a show with so many good actors, Hendericks really killed it this year. I hope she wins.


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“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield