Night Moves

By David Poland poland@moviecitynews.com

DP/30: Director Tony Scott, Unstoppable

5 Responses to “DP/30: Director Tony Scott, Unstoppable”

  1. quizkid8279 says:

    Wow, did Jeff Wells write the home-page blurb about this video?

  2. The Pope says:

    David,
    Thanks for reminding us of this interview. A jovial, soft spoken fellow who seems to have lived as much as he could when he could. I’m reading he had been diagnosed with inoperable brain cancer, so perhaps he could not face such a decline in activity. Thoughts to his wife and kids and his last surviving brother, Ridley.

    His first short film, an adaptation of Ambrose Bierce’s One of the Missing is available to view here.

    http://www.youtube.com/watch?v=s0cAi8LKXnM

  3. K. Bowen says:

    David, I love your breakdown of the Dargis tribute on the front page. You hit the right highlights. And yes, Dargis gets Tony Scott.

  4. David Poland says:

    KB – Ray Pride gets credit for that.

  5. James Westby says:

    Ray Pride RULES.

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Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman