By MCN Editor editor@moviecitynews.com

On The Closing Of Brooklyn’s Indie reRun Theater

Dear friends and colleagues:

It is with some reluctance that I announce today that I’m stepping down as curator of the reRun Gastropub Theater. Although my time with reRun has been exciting and fruitful, on the whole, there have been creative differences internally that now make it too difficult for me to contribute sufficiently to the role. I will continue with my hosting duties for this Friday’s premiere of Nacho Vigalondo’s EXTRATERRESTRIAL, as well as the June 22 premiere of Nathan Adloff’s NATE & MARGARET, before exiting at the end of this month.

However, the split is amicable, and I am incredibly thankful for the opportunity that reBar/reRun owner Jason Stevens offered by hiring me two years ago. Since the summer of 2010, Jason and I have built something that New York City was sorely lacking: a theatrical venue where acclaimed independent films from the festival circuit, underseen and mostly undistributed, could flourish. Being able to garner reviews and other press for these undervalued features regularly breathed new life into them, and gave filmgoers the chance to actually see them in a fun environment… with a cocktail in one hand, a bag of bacon-fat popcorn in the other.

According to Jason, reRun will be temporarily shut down following the NATE & MARGARET theatrical run so that he may revamp the space for whatever its next incarnation will be.

Following my departure at reRun, I will continue to work as editor of GreenCine Daily and as a freelance critic/journalist for various outlets. The timing of this decision is uncanny, but coincidental: on June 1, my wife Jennifer and I took over a Cobble Hill video store called Video Free Brooklyn, which I had originally hoped would be a natural, cross-pollinating extension of the movie theater. While we work to renovate our new business for the neighborhood community, I will be pursuing curatorial prospects elsewhere. Hopefully, this won’t be my only chance to make a difference in the realm of film exhibition.

Sincerely,

Aaron Hillis

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“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert

The Promised Land steers into the fact that the United States can mean whatever people want it to mean. You may not be able to be Elvis, but you can sure as shit impersonate him for a living. America, like its current President (at least as of this article’s publication), is so dangerous precisely because it’s a blank canvas on which anyone can project their dreams. Whatever it is that you see for yourself, there’s someone you can pay for the pleasure of believing that it’s possible. In his view, the pursuit of happiness is the ultimate con, a delusion that prevents us from seeing our circumstances for what they are.

“Forget the Matrix, it’s the invention of happiness that blinded us to the truth. The rich got richer and the poor help them do it. Jarecki doesn’t argue that the American Dream is dead; he argues that it was never alive in the first place — that we were all lobsters in a pot full of water that was boiling too slowly for any of us to notice. And now it’s time for dinner. Donald J. Trump is the President of the United States. Elvis has left the building.”
~ David Ehrlich