Z
MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Walt Disney’s Taxi Driver by Bryan Boyce

The last minute’s the best minute.

And the Fair Use conversation… remains tough… but I think this is one with the right argument… and can never be distributed for money.

3 Responses to “Walt Disney’s Taxi Driver by Bryan Boyce”

  1. The Pope says:

    David,
    I think this would be protected because it is only a portion of the film. And it is also a parody… which would probably come under freedom of speech.

    For what it’s worth… Once upon a time, before the age of mass production, copyright did not exist. Once it arrived, laws had to be written to grasp this new reality. Same here with the internet. And until such time as the studios and Congress get themselves up to speed, they will not be able to enforce laws that are now antiquated.

  2. palmtree says:

    Also, the film has been altered.

  3. Bitplayer says:

    Nobody needs to enforce any laws one of the largest companies in the world will call one of the most powerful companies in the world and ask them to delete it and they will, end of story no “legal” action.

Leave a Reply

The Hot Blog

Quote Unquotesee all »

“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

Z Weekend Report