MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Walt Disney’s Taxi Driver by Bryan Boyce

The last minute’s the best minute.

And the Fair Use conversation… remains tough… but I think this is one with the right argument… and can never be distributed for money.

3 Responses to “Walt Disney’s Taxi Driver by Bryan Boyce”

  1. The Pope says:

    David,
    I think this would be protected because it is only a portion of the film. And it is also a parody… which would probably come under freedom of speech.

    For what it’s worth… Once upon a time, before the age of mass production, copyright did not exist. Once it arrived, laws had to be written to grasp this new reality. Same here with the internet. And until such time as the studios and Congress get themselves up to speed, they will not be able to enforce laws that are now antiquated.

  2. palmtree says:

    Also, the film has been altered.

  3. Bitplayer says:

    Nobody needs to enforce any laws one of the largest companies in the world will call one of the most powerful companies in the world and ask them to delete it and they will, end of story no “legal” action.

Leave a Reply

The Hot Blog

Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour