MCN Columnists
Gary Dretzka

By Gary Dretzka Dretzka@moviecitynews.com

Suddenly, the great Swedish cop Wallander is everywhere …

 If one were to judge the crime rate in Sweden strictly by the number of mysteries, you’d think it was a haven for sociopaths, drug runners and gangbangers. Between Henning Mankell, Sieg Larsson, Maj Sjowall and the late Per Wahloo, alone, more fiendish murders have been solved by Swedish novelists than almost anywhere on Earth, outside the United States.

If American TV viewers are familiar with Ystad’s chief inspector, Kurt Wallander, it’s because an English-language adaptation starring Kenneth Branagh has aired on PBS’ “Masterpiece Mystery!,” with new episodes set to return in September. Both Krister Henriksson and Rolf Lassgard have played the melancholic cop, who lives in what ought to be a peaceful port city on the country’s southern tip. If memory serves, Branagh’s interpretation of the character makes him noticeably more brooding and troubled than the one we meet in Henriksson, in the new DVD collection, “Henning Mankell’s Wallander.” His protagonist still is far from being outgoing, but his recent move to a seaside home appears to have lightened his mood somewhat.

Besides having to sort through 13 episodes’ worth of exceedingly disturbing crimes, Wallander’s required here is to adjust his preconceptions about women in law enforcement. He also must come to grips with his imminent retirement and the responsibility that comes with grooming someone to replace him. On his daily constitutionals with his black Labrador, Jussi, he’s on doctor’s orders to count each step with a pedometer. That doesn’t mean, however, he can’t enjoy a smoke or stiff drink every so often.

“Henning Mankell’s Wallander” also reflects a Sweden whose crime rate has grown steadily since the author conceived of the mystery series in 1989. “Faceless Killers” was the first of a baker’s dozen of novels, but Mankell has since added several more stories and teleplays to his resume. Although many westerners have long considered Scandinavia to be something of a crime-free zone, it’s not. As everywhere else in Europe, the steep rise in violent crime has been blamed on an increasing numbers of immigrant workers, easier access to hard drugs, terrorism and vigilantism. Ystad, then, with a population of less than 20,000 people, is northern Europe in microcosm, and Wallander has evolved with the time, if, sometimes, reluctantly.

According to Mankell, “The only way to create a credible character in a novel or movie is to portray a human being who changes, as I do. No living creature is the same tomorrow as they are today (and) we also share the dark sides of life.

“You can see yourself in people that change. But, if they stay the same, although years go by and the stories multiply, it is no longer possible to do so.”

The new compilation from Music Box includes 13 episodes of 90 minutes length each. The acting is uniformly excellent throughout and the police work’s engrossing. This time around, Wallander’s patience and heartstrings often are tested by the presence of a new lead prosecutor, played by Lena Endre (“Faithless”). The scenery is pretty special, too.

As another sign of the times, the first chapter of the series starring Henriksson, “Revenge,” has already been made available a la carte on VOD, via iTunes, Amazon and Vudu. It opens theatrically in Los Angeles and New York on Friday. – Gary Dretzka

 

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“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook