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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Review: I Wish



I Wish
, a tale of two young brothers separated by their estranged parents who wish for their family to be reunited and happy, is a rare gem of a little film, the kind of film adult cinema lovers will enjoy for its quiet beauty and keen understanding of childhood, but that older kids might appreciate as well. While writer-director Hirokazu Koreeda has clearly made a film about children intended for adults, I Wish could also be a great choice for introducing older kids to a film with subtitles — and to the concept that a story about kids doesn’t have to be action packed or have aliens or zombies or lots of explosions to be worth watching. The themes here around family, loss and forgiveness are universal, and kids from any culture can easily relate to the ways in which we grownups complicate their young lives.

Koichi (Koki Maeda) and his younger brother Ryu (Oshiro Maeda) have separated for six months, with Koichi living with their mother on one end of the island and Ryu on the other with their father. The two boys maintain communication via cell phone conversations which are so well-conceived they could be used in a master class on how to write this kind of dialogue. It’s heart-rending and lovely, as is almost everything about this film. When a new bullet train line is built, the two brothers get it in their heads that at the very moment the opposite trains pass each other for the first time, you can make a wish and it will come true. With a pack of friends eager to make their own wishes, Koichi and Ryu try the only way they can think of to reunite their family.

It’s a simple enough story, but Koreeda’s writing makes it delicately complex as he interweaves subplot and character to create this realistically flawed, yet hopeful family. I always think it’s rather ballsy for a writer-director to filter a feature-length film through the perspective of a character who’s a child. It’s a tricksy thing to pull off, relying on a kid (or kids) to carry your entire film, but Koreeda also displays an able hand working with his engaging young actors, who charm in every frame.

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies