By Ray Pride Pride@moviecitynews.com

Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

“Rivette’s deliberately obscure tale has become iconic for the elitist cinephilia that now dominates contemporary film culture.”
Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

One Response to “Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words”

  1. Irene Sobel says:

    fhos was the best piece of film criticism I’ve read in a long time. Ray Pride always seems to harbor hatred for Armond White. You don’t know what good criticism when you read it. I’m glad Armond White continues to tell the teeth about movies.

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“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall