By Ray Pride Pride@moviecitynews.com

Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

“Rivette’s deliberately obscure tale has become iconic for the elitist cinephilia that now dominates contemporary film culture.”
Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

One Response to “Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words”

  1. Irene Sobel says:

    fhos was the best piece of film criticism I’ve read in a long time. Ray Pride always seems to harbor hatred for Armond White. You don’t know what good criticism when you read it. I’m glad Armond White continues to tell the teeth about movies.

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“There’s a mass belief that if you’re texting, you’re somehow not interrupting the conversation—you’re not being rude. It’s an illusion of multitasking. I started filmmaking when people didn’t expect to have a phone on set, when it would’ve been seen as unprofessional to pull out a phone. Phones have become a huge distraction, and people work much better without them. At first it causes difficulty, but it really allows them to concentrate on what they’re doing. Everybody understands. I’ve had a lot of crews thank me. With a set, we’re trying to create a bubble of alternate reality.”
~ Christopher Nolan

“I’ve always loved films that approach sound in an impressionistic way and that is an unusual approach for a mainstream blockbuster, but I feel it’s the right approach for this experiential film. Many of the filmmakers I’ve admired over the years have used sound in bold and adventurous ways. I don’t agree with the idea that you can only achieve clarity through dialogue. Clarity of story, clarity of emotions—I try to achieve that in a very layered way using all the different things at my disposal—picture and sound.”
~ Christopher Nolan