By Ray Pride

Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

“Rivette’s deliberately obscure tale has become iconic for the elitist cinephilia that now dominates contemporary film culture.”
Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

One Response to “Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words”

  1. Irene Sobel says:

    fhos was the best piece of film criticism I’ve read in a long time. Ray Pride always seems to harbor hatred for Armond White. You don’t know what good criticism when you read it. I’m glad Armond White continues to tell the teeth about movies.

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Writer’s block?
“I don’t have it. Isn’t that great? It’s almost like a bit being a little insane; I’ve got so many stories in my head and so many people talking that I literally have to shut down, like shut out characters to start writing other shows. They all want to talk when I start. See, you’re going to make me sound crazy! But I sit down at the computer and I start writing a show, and especially a show like, “The Have and Have Nots” has been on for over a hundred episodes, “If Loving You is Wrong” is probably about 80 now, and so I know those people; “Too Close to Home” just started, it’s got 16. But I know them. So when I sit down to write I can tune into them and hear them, is what I mean.”
~ Tyler Perry On Process

“The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.”
Robert Bresson

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