Night Moves

By Ray Pride Pride@moviecitynews.com

Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

“Rivette’s deliberately obscure tale has become iconic for the elitist cinephilia that now dominates contemporary film culture.”
Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words

One Response to “Harmin’ Armond Thrashes Jacques Rivette For 1,400 Words”

  1. Irene Sobel says:

    fhos was the best piece of film criticism I’ve read in a long time. Ray Pride always seems to harbor hatred for Armond White. You don’t know what good criticism when you read it. I’m glad Armond White continues to tell the teeth about movies.

Leave a Reply

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman