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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Getting Stripped

Very excited to share the news that my good friend John Wildman, formerly director of PR for the Dallas Independent Film Fest and current Senior Publicist at Film Society Lincoln Center, is finally getting his long-gestating “post-feminist” horror-thriller project, Stripped, off the ground. Initially planned to film in 2010, the film stalled out for a while over funding concerns but is finally getting made. I read a version of the script, which was co-written by Justina Walford, a couple years ago, and I’ve been hoping ever since to finally see it get made. Stripped will film in and around Dallas in June; you can read the complete press release right here.

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Do you know about Pokémon Go?
No. I don’t know what Pokémon Go is and what all these things are. You’re talking to somebody who made his first phone call at age 17. You’re talking to someone who doesn’t have a cell phone, for example, for cultural reasons. Tell me about Pokémon Go. What is happening on Pokémon Go?

It’s basically the first mainstream augmented reality program. It’s a game where the entire world is mapped and you walk around with the GPS on your phone. You walk around in the real world and can catch these little monsters and collect them. And everybody is playing it.
Does it tell you you’re here at San Vicente, close to Sunset Boulevard?

Yeah, it’s basically like a Google map.
But what does Pokémon do at this corner here?

“To make work out of your own imagination is an invitation to a lot of unforgiving hard slog, failure, satisfaction which doesn’t last long, more failure, discontent, maybe a prize, a bit more satisfaction, self doubt, dissatisfaction, lots more hard work and so on and so on. But anyone who’s persisted and written something and got to the end and even better had it published or performed learns quickly that the hard slog, the frustrations, the blind alleys and dead ends and scenes that don’t work and great ideas that turn to dust are in fact a big part of the work. The reward for the agony is not the ecstasy of Chuck Heston finishing the Sistine Chapel but still more agony that might also include some kind of not pleasure exactly, maybe a brief, terrible joy.”
~ Australian playwright Michael Gow

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