By MCN Editor editor@moviecitynews.com

FISHER STEVENS TO DIRECT AMERICAN PASTORAL For Lakeshore Entertainment and Sidney Kimmel Entertainment

FOR IMMEDIATE RELEASE

Los Angeles, CA, May 15, 2012—  Academy Award-winner Fisher Stevens will direct American Pastoral for Lakeshore Entertainment and Sidney Kimmel Entertainment (SKE).  The project is based on Philip Roth’s Pulitzer Prize winning novel of the same name.  Screenwriter John Romano (The Lincoln LawyerIntolerable Cruelty) adapted the screenplay.

American Pastoral is a pivotal story depicting the destruction of the American dream.  Protagonist Seymour “Swede” Levov, a legendary high school athlete, grows up to marry a former beauty queen and inherits his father’s business.  Swede’s seemingly perfect life shatters when his daughter rebels by becoming a revolutionary and commits a savage act of political terrorism during the Vietnam War.

The book is the first novel in Roth’s American postwar trilogy that also includes I Married a Communist and The Human Stain.  This will mark Lakeshore Entertainment’s third project with Roth—The Human Stain was released in 2003 and Elegy (based on The Dying Animal) in 2008.

“Philip Roth is the great American author of our time,” says Lakeshore Chairman Tom Rosenberg.  “Fisher shares our passion for Roth’s literature, and he is a unique storyteller with his multi-layered past in the business as an actor, producer and director.  Stand Up Guys has been a fantastic experience, and we are thrilled to work with Fisher again.”

Says Sidney Kimmel: “Philip Roth is such an extraordinary story teller, an American treasure, and this particular story so vivid that we could not be more excited. Fisher and all of us are dedicated to bringing his vision to the big screen in a fully complimentary and realized fashion.”

Stevens is currently directing Stand Up Guys starring Al Pacino, Christopher Walken and Alan Arkin for SKE and Lakeshore Entertainment which Lionsgate will release.  He is represented by Paradigm and Untitled Entertainment.

Lakeshore Entertainment’s Tom Rosenberg and Gary Lucchesi are producing with Sidney Kimmel.   SKE President Jim Tauber and SKE President of Production Matt Berenson are executive producing.  Principal photography will begin early next year.

The project marks the seventh film co-financed and co-produced by Lakeshore and SKE in the past year, including the hit Lionsgate release The Lincoln Lawyer, and the upcoming I, Frankenstein, starring Aaron Eckhart and directed by Stuart Beattie for Lionsgate to release, in addition to Adaline in pre-production with Spanish director Isabel Coixet set to direct.

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Who are the critics speaking to?
Nobody seems able to answer the question of how you can make theatre criticism more appealing, more clickworthy. One answer is to be a goddamn flamethrower every week, be a bombthrower, to write scorched-earth reviews. Just be completely hedonistic and ego-driven in your criticism, become a master stylist, and treat everything in front of you onstage as fodder for your most delicious and vicious language. That’s one road. And people may enjoy your writing. The thing that’s sacrificed is any sense of a larger responsibility, and any aesthetic consistency. I don’t think anyone is following that model right now—just being a complete jerk.

Well, Rex Reed is still writing.
Ah. Well, you can also be a standard bearer, and insist that work doesn’t measure up to your high standards. But I think the art makes the standards. I’m not going to sit there and say, “This is the way you do Shakespeare.” I believe that every play establishes its own standards, and our job is to just evaluate it. But everybody’s looking for the formula for how to talk about culture so that people who don’t have any time to read want to read about it. Is there something beyond thumbs-up, thumbs-down criticism? I would hope there’s a way to talk about a theatre event in real time—meaning while it’s still going on—in a way that’s engaging, funny, witty, and evaluates the elements of the thing. But it’s like if you had a friend who was like, “Gee, are you working out? You look great. But that’s a terrible haircut.” Nobody wants that person around.
~ Time Out’s 17-Year Theatre Critic, David Cote, Upon His Exit

“Now I am awake to the world. I was asleep before. When they slaughtered Congress, we didn’t wake up. When they blamed terrorists and suspended the Constitution, we didn’t wake up either. They said it would be temporary. Nothing changes instantaneously. In a gradually heating bathtub you’d be boiled to death before you knew it.”
“The Handmaid’s Tale,” Bruce Miller