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By MCN Editor editor@moviecitynews.com

ACADEMY ANNOUNCES U.S. FINALISTS FOR 2012 STUDENT ACADEMY AWARDS®

Beverly Hills, CA – May 2, 2012 — Thirty-five students from 20 U.S. colleges and universities have been selected as finalists in the Academy of Motion Picture Arts and Sciences’ 39th Annual Student Academy Awards competition. Academy members will view the finalists’ films at special screenings and vote to select the winners. Gold, Silver and Bronze Medal awards, along with accompanying cash grants of $5,000, $3,000 and $2,000 respectively, may be presented in each of four categories: Alternative, Animation, Documentary and Narrative. Winners will be brought to Los Angeles, along with the international student winners in the Foreign Student Film category, for a week of industry activities and social events that will culminate in the awards ceremony on Saturday, June 9, at 6 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The finalists are (listed alphabetically by film title):
Alternative
“Falconer,” Micah Robert Barber, University of Texas at Austin
“In Between Shadows,” Tianran Duan, University of Southern California
“Last Remarks,” Umar Riaz, New York University
“Peace at Home,” Avital Epstein, Florida State University
“The Reality Clock,” Amanda Tasse, University of Southern California
“SiSiSiSiSiSiSiSiSiSiSi,” Juan Camilo González, University of Southern California
“Terra Cotta Warrior,” Bin Li, Rochester Institute of Technology
“Us,” Alex Lora, City College of New York

Animation
“Chocolate Milk,” Eliza Kinkz, University of California, Los Angeles
“Cowboy, Clone, Dust,” Matthew Christensen, New York University
“Eyrie,” David Wolter, California Institute of the Arts
“The Jockstrap Raiders,” Mark Nelson, University of California, Los Angeles
“La Lune et le Coq,” Raymond McCarthy Bergeron, Rochester Institute of Technology
“Lizard and the Ladder,” Aaron Bristow, Utah Valley University*
“My Little Friend,” Eric Prah, Ringling College of Art and Design
“Reviving Redwood,” Matt Sullivan, Ringling College of Art and Design
“Shinobi Blues,” Yue Liu, School of Visual Arts

Documentary
“Dignity Harbor: A Home Away from Homeless,” Michael Gualdoni, Lindenwood University*
“Dying Green,” Ellen Tripler, American University
“Hiro: A Story of Japanese Internment,” Keiko Wright, New York University
“Lost Country,” Heather Burky, Art Institute of Jacksonville*
“Love Hacking,” Jenni Nelson, Stanford University
“Pot Country,” Mario Furloni, University of California, Berkeley
“Reporting on The Times: The New York Times and the Holocaust,” Emily Harrold, New York University
“Smoke Songs,” Briar March, Stanford University
“Why Am I Still Alive,” Hanzhang Shen, School of Visual Arts

Narrative
“Benny,” Huay-Bing Law, University of Texas at Austin
“Contra el Mar,” Richard Parkin, University of California, Los Angeles
“Hatch,” Christoph Kuschnig, Columbia University
“Mr. Bellpond,” A. Todd Smith, Brigham Young University
“Nani,” Justin Tipping, American Film Institute
“Narcocorrido,” Ryan Prows, American Film Institute
“The Recorder Exam,” Bora Kim, Columbia University
“Requited,” Madeline Puzzo, Point Park University*
“Under,” Mark Raso, Columbia University

*Indicates first-time finalist entry for the school/university

To reach this stage, U.S. students competed in one of three regional competitions. Each region is permitted to send to the Academy up to three finalists in each of the four categories. Academy members have selected students from Australia, Germany and the United Kingdom as finalists in the Foreign Film category.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level. Past Student Academy Award® winners have gone on to receive 46 Oscar® nominations and have won or shared eight awards. At the 84th Academy Awards earlier this year, 2011 Student Academy Award winners Hallvar Witzø and Max Zähle were nominated in the Live

Action Short Film category for “Tuba Atlantic” and “Raju,” respectively. James Spione, a Student Academy Award winner in 1987, earned a nomination in the Documentary Short Subject category for “Incident in New Baghdad.”

The 39th Annual Student Academy Awards ceremony on June 9 is free and open to the public, but advance tickets are required. Tickets are available now, online at www.oscars.org, in person at the Academy box office, or by mail. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600.

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INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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