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By MCN Editor editor@moviecitynews.com

AARON SORKIN TO ADAPT “STEVE JOBS” FOR SONY PICTURES

Film to be Based on Walter Isaacson’s Best Selling Biography of Late Apple Co-Founder

CULVER CITY, Calif., May 15, 2012 – Academy Award® winning screenwriter Aaron Sorkin will adapt Steve Jobs, a motion picture based on the best-selling biography of the legendary Apple co-founder by award-winning journalist Walter Isaacson, it was announced today by Amy Pascal, Co-Chairman of Sony Pictures Entertainment, and Doug Belgrad, President of Columbia Pictures. The project is being produced by Mark Gordon, Scott Rudin and Guymon Casady.

Published late last year, Steve Jobs was Amazon’s best-selling book of 2011.  In addition, the biography ranked #1 among bestselling hardcover books by a 2:1 margin, with sales of 2,246,569 in 2011, according to Publisher’s Weekly.

Commenting on the announcement, Pascal said, “Steve Jobs’ story is unique: he was one of the most revolutionary and influential men not just of our time but of all time. There is no writer working in Hollywood today who is more capable of capturing such an extraordinary life for the screen than Aaron Sorkin; in his hands, we’re confident that the film will be everything that Jobs himself was: captivating, entertaining, and polarizing.”

AARON SORKIN won the Academy Award® for Best Adapted Screenplay for his work on The Social Network.  His other screenplays includeMoneyball, Charlie Wilson’s War, The American President, Malice, and A Few Good Men.  He has also acquired the motion picture rights to The Politician, the best-selling book by Andrew Young about the downfall of former Senator John Edwards.  He will adapt the book and make his directorial debut with the film, which he will also produce. For television, Sorkin created “The West Wing,” “Sports Night,” and “Studio 60 on the Sunset Strip.”  He is currently in production on the HBO series “The Newsroom,” which is scheduled to premiere on June 24, 2012 <x-apple-data-detectors://1> .  For the stage, Sorkin wrote “A Few Good Men” and “Making Movies”; he returned to Broadway in 2007 with “The Farnsworth Invention.”  Sorkin will return to the theater and make his Broadway debut as a librettist with the 2013-2014 production of “Houdini.”  Based on the life of legendary magician Harry Houdini, the musical will star Hugh Jackman and will feature music and lyrics by Oscar and Grammy winner Stephen Schwartz.

About Sony Pictures:Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 159 countries.  For additional information, go tohttp://www.sonypictures.com/

One Response to “AARON SORKIN TO ADAPT “STEVE JOBS” FOR SONY PICTURES”

  1. Burt Jone says:

    We Love Sony Studios… please help us stop Fracking in Culver City and Baldwin Hills area.

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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