By MCN Editor editor@moviecitynews.com

AARON SORKIN TO ADAPT “STEVE JOBS” FOR SONY PICTURES

Film to be Based on Walter Isaacson’s Best Selling Biography of Late Apple Co-Founder

CULVER CITY, Calif., May 15, 2012 – Academy Award® winning screenwriter Aaron Sorkin will adapt Steve Jobs, a motion picture based on the best-selling biography of the legendary Apple co-founder by award-winning journalist Walter Isaacson, it was announced today by Amy Pascal, Co-Chairman of Sony Pictures Entertainment, and Doug Belgrad, President of Columbia Pictures. The project is being produced by Mark Gordon, Scott Rudin and Guymon Casady.

Published late last year, Steve Jobs was Amazon’s best-selling book of 2011.  In addition, the biography ranked #1 among bestselling hardcover books by a 2:1 margin, with sales of 2,246,569 in 2011, according to Publisher’s Weekly.

Commenting on the announcement, Pascal said, “Steve Jobs’ story is unique: he was one of the most revolutionary and influential men not just of our time but of all time. There is no writer working in Hollywood today who is more capable of capturing such an extraordinary life for the screen than Aaron Sorkin; in his hands, we’re confident that the film will be everything that Jobs himself was: captivating, entertaining, and polarizing.”

AARON SORKIN won the Academy Award® for Best Adapted Screenplay for his work on The Social Network.  His other screenplays includeMoneyball, Charlie Wilson’s War, The American President, Malice, and A Few Good Men.  He has also acquired the motion picture rights to The Politician, the best-selling book by Andrew Young about the downfall of former Senator John Edwards.  He will adapt the book and make his directorial debut with the film, which he will also produce. For television, Sorkin created “The West Wing,” “Sports Night,” and “Studio 60 on the Sunset Strip.”  He is currently in production on the HBO series “The Newsroom,” which is scheduled to premiere on June 24, 2012 <x-apple-data-detectors://1> .  For the stage, Sorkin wrote “A Few Good Men” and “Making Movies”; he returned to Broadway in 2007 with “The Farnsworth Invention.”  Sorkin will return to the theater and make his Broadway debut as a librettist with the 2013-2014 production of “Houdini.”  Based on the life of legendary magician Harry Houdini, the musical will star Hugh Jackman and will feature music and lyrics by Oscar and Grammy winner Stephen Schwartz.

About Sony Pictures:Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 159 countries.  For additional information, go tohttp://www.sonypictures.com/

One Response to “AARON SORKIN TO ADAPT “STEVE JOBS” FOR SONY PICTURES”

  1. Burt Jone says:

    We Love Sony Studios… please help us stop Fracking in Culver City and Baldwin Hills area.

Leave a Reply

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson