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Mike Wilmington

By Mike Wilmington

Wilmington on DVDs. The Innkeepers

U.S.: Ti West, 2011

A neat little horror movie that keeps trying to remind us of The Shining, The Innkeepers pulls us instead into a creepy world of failing hotels and troubled economies and weird guests and mildly obsessed hotel co-workers — the wreckage and mildly rotting corpse of a New England tradition that‘s older than Stephen King (or Bronx kid Stanley Kubrick for that matter). The locale is the Yankee Pedlar Inn, reputed to be haunted, and due to be shuttered forever after this night‘s occupancy. In what little time is left them, the two somewhat hip last employees — twentysomething Claire (Sara Paxton), who changes the towels and walks the halls, and older guy Luke (Pat Healy), who mans the desk and pulls Paranormal Activity gags on his computer and obviously has an unspoken crush on Claire — are going to try to roust out the spooks, either see one for real or lay the legends to rest.

Helping them out are the guests from hell (or maybe in hell): TV actress turned psychic Leanne Reese-Jones (Kelly McGillis), Gayle the mad mom (Alison Bartlett), and an old, old man who checks in and obviously means to come to a bad end. Two little girls also wander around, in tribute to to their obvious inspirations, The Grady sisters from The Shining.

Ti West’s movie is loaded with seedy atmosphere and cracked wacko personality, and I much preferred it to the over-expensive blood-drenched massacres they usually give us. Paxton’s Claire and Healy’s Luke are engagingly scarable protagonists. The cellar is a doozy. West, this movie’s director-writer-editor — and also the auteur of The House of the Devil and Trigger Man (both nifty, effective shows), is a horror classicist with a good scrappy sense of character, and he seems refreshingly uninterested in breaking any decapitation records or in exploring the far boundaries of found footage. (Anyway, Cloverfield has already done it.)

I like West’s stuff. I also still love Kubrick and The Shining, though I’ll always be unhappy with Stanley K. for hiring Diane Johnson to write the script instead of King. As for The Innkeepers, it’s a decent, smart, midrange horror show. Now: the Money question. Will this movie scare you? How the hell would I know?

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【ポイント最大26倍】ドクターシーラボ 2015年スペシャルバッグ<Dr.Ci:Labo/ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour