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Kim Voynar

By Kim Voynar

Who Was Amos Vogel?

Over on Film Comment, Film Society of Lincoln Center’s Eugene Hernandez has a nice piece up about independent film vanguard Amos Vogel, who passed away today at the age of 91, and if you don’t know much about Vogel you should go read it. Eugene’s piece points to this excellent documentary about Vogel, Film as a Subversive Art, which you can watch in its entirety for free on Vimeo. It’s roughly 56 minutes long, and you’ll likely learn something about this amazing man to whom independent cinema owes a debt of eternal gratitude. Most of it is Vogel, just talking to the camera about his life and career. It’s pretty awesome. Check it out.

RIP, Amos Vogel.

Click here to view the video.

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“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour