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MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Who Was Amos Vogel?

Over on Film Comment, Film Society of Lincoln Center’s Eugene Hernandez has a nice piece up about independent film vanguard Amos Vogel, who passed away today at the age of 91, and if you don’t know much about Vogel you should go read it. Eugene’s piece points to this excellent documentary about Vogel, Film as a Subversive Art, which you can watch in its entirety for free on Vimeo. It’s roughly 56 minutes long, and you’ll likely learn something about this amazing man to whom independent cinema owes a debt of eternal gratitude. Most of it is Vogel, just talking to the camera about his life and career. It’s pretty awesome. Check it out.

RIP, Amos Vogel.

Click here to view the video.

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“At one point in the comedy dead zone known as Seth MacFarlane’s Ted 2, the title character—a stuffed toy bear voiced by Mr. MacFarlane—and his dimwitted best friend, John (Mark Wahlberg), visit a comedy club to engage in a favorite pastime: throwing bleak improv ideas at the comics onstage. So, seated in the back of the auditorium while cloaked in darkness, the friends start shouting out suggestions like 9/11, Robin Williams and Charlie Hebdo to the unnerved comics. The topics don’t mean anything to Ted and John, who, like Mr. MacFarlane, take great pleasure in making others squirm. They could have just as easily yelled gang rape, the Holocaust and dead puppies.”
Manohla Dargis on Ted 2

“You never expect a movie to hurt you. Disappoint? Dismay? Depress? Fine. But when a movie has a field day asserting the humanity of a fake toy bear at the expense of your own, it hurts. I was led to believe, in part by the posters, that I was getting a movie about a character who’d be masturbating or urinating with his back to us. They should’ve turned Ted around since the emissions are aimed at the audience… MacFarlane doesn’t appear to believe in anything. He just likes to mess around with things that still have value without seeming to get whether that value is greater than his jokes. It’s as if he doesn’t really know what he’s laughing at or care what race and sexuality and gender are. It’s as if he doesn’t know women or black people — just white comedy writers who love to make fun of them.”
~ Wesley Morris On Ted 2

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