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By Ray Pride Pride@moviecitynews.com

Trailering TO ROME WITH LOVE

http://www.youtube.com/watch?v=quYMphMnugw

To Rome With Love, via the Via Blogorosa: Hoping Sony Pictures Classics won’t mind, but this first trailer for Woody’s latest Eurologue is via Huffington Post who got it from TrailersAddicted, who lifted it from Yahoo! Movies, which still has its watermark on the image. But it’s all publicity among good friends, right?

One Response to “Trailering TO ROME WITH LOVE”

  1. Daniella Isaacs says:

    I never get why some Allen movies hit and others fail. I thought CASSANDRA’S DREAM was better than MATCH POINT, YOU WILL MEET A TALL DARK STRANGER at least as good as MIDNIGHT IN PARIS. For whatever it’s worth, I see this as a moderate hit–not up to PARIS levels, but better than VICKY CHRISTINA… You just never know with him. The title change, is for the worse, but will probably help sell tickets.

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A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver