
By Ray Pride Pride@moviecitynews.com
Trailering “Dogme 40: Donald Duck”
Crazy Icelanders.

Crazy Icelanders.
Gonzalo Jimenez on: Borzage's MOONRISE (1948) opening (4'58')
Ben on: Dave Brubeck "Take Five," Live, 1966 (5'22")
Ricky on: RIP Taylor Mead
Fabian Villarreal on: A Rose For Roger
Exam Informer on: Noam Chomsky On How To Talk To Women (1'28")
Møller on: World's oldest cinema reopens in Beijing
Linda Murray on: RIP Jonathan Winters (6'02")
EM on: DVD Interview: Benh Zeitlin on Water
Ray Pride on: Siskel & Ebert On TAXI DRIVER (8'34")
spassky on: Siskel & Ebert On TAXI DRIVER (8'34")
Nic Refn On Prostitutes; Hw’d (4’09″) MNSFW
Trailering AIN’T THEM BODIES SAINTS (2’29″)
GREAT GATSBY Party Preem In Sydney (4’43″)
Borzage’s MOONRISE (1948) opening (4’58′)
College Humor Collates All Of JJ Abrams’ Lens Flares In STAR TREK (8’30″)
Stream THE SOURCE FAMILY’s Psychedelic Soundtrack
Class Photo For NYMPH()MANIAC, Opening Christmas Day
Newt Gingrich’s Compelling New Andy Rooney Impersonation
Teasing “Cinéma, de notre temps: James Benning and Richard Linklater” (1’58″)
see all »
RT @palacefilms: @filmboyd TABU got an MA15+ thanks to a couple of thrusts behind a mosquito net. yet self alien abortion in PROMETHEUS was…
RT @filmboyd: @palacefilms yeah, somewhat medieval your censorship rules -- both these films are clearly art first (otherwise they wouldn't…
RT @palacefilms: @filmboyd yes, one of them. the more obvious. at least, not without trims. which would defeat the point.
DP: Interesting that SPC pulled the trigger on the Jarmusch out of Cannes. Kitschy, culty fun. Will be a great Home Ent title
DP: @braxtonpope @Dealfatigue Admissions are a crap way of analyzing business… except for exhibs. And even so, hardly the exodus media claims
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
