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By Ray Pride Pride@moviecitynews.com

Tonino Guerra Talks Tarkovsky On The Late Filmmaker’s 80th

From filmmaker PJ Letofsky‘s work-in-progress, Tarkovsky: His God, His Devil: “On November 10, 2009 I had the privilege of interviewing Tonino Guerra in Pennabilli, Italy, for my new documentary. At the time he was already 90 years old, but sharp, remembering his friendship with the revered Russian auteur and their collaboration on Nostalghia. As this is one of the last interviews Tonino gave, I wanted to post it for his fans, honoring this great cinema poet by sharing his vitality and zest for life. The documentary, based on Tarkovsky’s diary, is slated for release in 2013.”

One Response to “Tonino Guerra Talks Tarkovsky On The Late Filmmaker’s 80th”

  1. eve shebang says:

    Thanks so much for sharing this.
    I was in touch in Mr. Guerra in the same years for a project. I had planned to visit him in Pennabili, but it didn’t happen.

    Eve

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 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook