By MCN Editor editor@moviecitynews.com

Terry Press And Wolfgang Hammer Named Co-Presidents Of CBS Films

LOS ANGELES, April 23, 2012 — CBS Corporation announced today that Wolfgang Hammer and Terry Press have been named Co-Presidents of the CBS Films division.

“In Terry and Wolfgang, we are fortunate to have two very skilled executives, each with terrific knowledge of the business and strong resumes of innovation,” said Leslie Moonves, President and CEO of CBS Corporation, to whom they will report.  “They both possess the ‘roll-up-your-sleeves’ attitude for making, acquiring and marketing quality films for a division that is small in size, but laser-focused on assembling a mix of home-grown productions and acquisitions across a diverse range of genres. I look forward to the ongoing contributions they will make as they work together on all aspects of CBS Films to achieve our shared objective of developing great movies and growing this new part of our company.”

Terry Press, who has been consulting for the studio since 2010, will oversee creative, distribution, marketing and physical production for CBS Films. As the principal of 7570 Marketing Inc., she has consulted on several CBS Films releases including ”The Mechanic,” ”Salmon Fishing in the Yemen” and ”The Woman in Black.”  Additionally, she has consulted on recent films such as ”The Hunger Games,” ”Julie & Julia,” ”The Social Network,” ”Hugo” and ”Valkyrie.”  Prior to 7570, Press served as the head of marketing for DreamWorks SKG, where she oversaw the campaigns for all live-action and animated features including ”Saving Private Ryan,” ”American Beauty,” “Gladiator” and “Shrek.”

“Terry has been behind some of the biggest film campaigns of the past two decades,” added Moonves. ”She is highly respected across the industry for her instincts, taste and ability to conceive and adapt campaigns for any film in any genre. We are thrilled that she will now be bringing her characteristic drive and creative energy to this new role at CBS.”

Wolfgang Hammer previously served as the Chief Operating Officer for CBS Films. He will oversee all business, finance, legal affairs and acquisitions, including financed, co-financed and completed projects for the division. As COO of CBS Films, he oversaw the acquisition of ”The Woman in Black,” ”Gambit” and ”The Words,” as well as the co-financing and distribution deals for the upcoming Martin McDonagh film ”Seven Psychopaths.” Prior to joining CBS Films, Hammer served as Executive Vice President of the Motion Picture Group at Lionsgate. Before Lionsgate, Hammer served as Vice President, Production, at Media Rights Capital. He is a graduate of the University of Vienna Law School and earned his master’s at Stanford University.

“Wolfgang is one of the brightest new stars in the industry,” said Moonves. “He is an aggressive and innovative dealmaker with terrific passion and talent for identifying the right film at the right time. Since the day he arrived, he has been an integral part of the division’s growth and forward momentum, and played an important role in developing a slate of filmmaker-driven titles that have great quality and financial upside. His intelligence, business acumen and deal-making skills will be a key part of our effort, as we move to build our film division in the years to come.”

The studio’s most recent wide release was the hit ”The Woman in Black,” which garnered strong reviews and has delivered more than $54 million in domestic box office. More recently, the division opened ”Salmon Fishing in the Yemen” in limited release to excellent notices and a strong $12,550 per screen average. CBS Films recently wrapped production on the multi-generational comedy ”Get A Job,” starring Bryan Cranston (“Breaking Bad,” “Drive”), Miles Teller (“Footloose,” “Project X”) and Anna Kendrick (“Up In The Air,” “50/50″). This summer, the studio will release the horror thriller ”7500,” followed later in the year by Martin McDonagh’s action comedy ”Seven Psychopaths,” the romantic drama ”The Words,” starring Bradley Cooper (“The Hangover,” “Limitless”) and Zoe Saldana (“Avatar,” “Star Trek”) and, in 2013, the Coen-brothers scripted ”Gambit,” starring Colin Firth, Cameron Diaz and Alan Rickman.

About CBS Films
CBS Films is a division of CBS Corporation. CBS Films will release four to six movies a year, spanning all genres.  For more information, log on to www.cbsfilms.com.

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé