By MCN Editor editor@moviecitynews.com

STRAUS UNVEILS BGP AS NEW YORK-BASED DOMESTIC SALES COMPANY

For Immediate Release

New York, NY (April 2, 2012) – Former New Line executive and producer Bill Straus has launched BGP, a Gotham-based domestic sales company.  Straus, who has had a producing deal with Circle of Confusion since 2003, will continue to work in affiliation with the well-regarded production-management company.  Straus’s producing banner, Billy Goat Pictures, will remain as a separate entity.

Among BGP’s initial clients will be THE PLAYROOM, a film by Julia Dyer (“Late Bloomers”) starring indie sensations John Hawkes (“Martha Marcy May Marlene”) and Molly Parker (DexterThe Firm).  Set in 1970’s suburbia, the film concerns a teenager and her younger siblings as they spend the night in their attic telling each other fantastical stories, while downstairs their parents entertain guests over the course of a gin-soaked evening.

THE PLAYROOM will premiere in the gala spotlight section of next month’s Tribeca Film Festival.  Hawkes has also garnered a lot of attention lately for a series of performances that include his Academy Award™ nominated role in WINTER’S BONE, the soon-to-be released Sundance hit THE SURROGATE, and a recurring role on HBO’s Eastbound and Down.

Straus’s producing credits include THE LAST RITES OF JOE MAY, WEAPONS, and the upcoming STRAIGHT OUTTA COMPTON at New Line/Warner Brothers.

“BGP is a boutique sales company focused on quality over quantity,” said Straus. “Because of our size, there will be a premium on client attentiveness and long term strategies when necessary.”

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One Response to “STRAUS UNVEILS BGP AS NEW YORK-BASED DOMESTIC SALES COMPANY”

  1. Filmnerd says:

    Awesome! Good luck to Bill, a stand-up guy with a heart of gold.

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”