By MCN Editor



NEW YORK (April 17, 2012) – Sony Pictures Classics announced today that they have acquired all North American rights to Michael Haneke’s latest film AMOUR from Films Du Losange. Written and Directed by Haneke, AMOUR stars Jean-Louis Trintignant (Z, THE CONFORMIST), Emmanuelle Riva (HIROSHIMA MON AMOUR), and Isabelle Huppert (THE PIANO TEACHER, 8 WOMEN).  Stefan Arndt, Veit Heiduschka, and Margaret Ménégoz produced the film with Austrian co-producer Michael Katz.

In the film, Georges (Trintignant) and Anne (Riva) are in their eighties. They are cultivated, retired music teachers. Their daughter (Huppert), who is also a musician, lives abroad with her family.  One day, Anne has an attack. The couple’s bond of love is severely tested.

AMOUR will mark the third film between Haneke and Sony Pictures Classics.  The previous titles include CACHÉ and 2009 Palme d’Or winner THE WHITE RIBBON.

“AMOUR once again confirms Michael Haneke’s place as one of the world’s finest filmmakers. American audiences are in for a moving experience. We are so pleased to continue our fruitful relationship with Michael and his producers Margaret Ménégoz and Stefan Arndt, who continue to make the very best movies,” states Sony Pictures Classics.

Michael Haneke adds, “I’m delighted that our fruitful collaboration with Sony Pictures Classics continues also with AMOUR.”


Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 29 Academy Awards (25 of those at Sony Pictures Classics) and have garnered 127 Academy Award nominations (101 at Sony Pictures Classics) including Best Picture nominations for MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, and CROUCHING TIGER, HIDDEN DRAGON.


Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to

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“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
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