MCN Columnists
Ray Pride

By Ray Pride Pride@moviecitynews.com

Picturing Ebertfest 2012

The Virginia Theater marquee.

Ebertfest poster, Virginia Theater.

Line for PHUNNY BUSINESS.

Opening night, The President's House.

David Bordwell and a programmer.

The spirit of Bill Murray, downtown.

Skies of the greater mid-South.

3 Responses to “Picturing Ebertfest 2012”

  1. Keil Shults says:

    fascinating AND informative

  2. Ray Pride says:

    I hope you are being kind, Keil!

  3. Keil Shults says:

    Sorry, I’ve been congested all week and in a foul mood. I’m also about 5 weeks away from being the only teacher at my middle school to achieve perfect attendance for the year. A grand feat, but it’s not helping my attitude or sanity.

Leave a Reply

Quote Unquotesee all »

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork