MCN Columnists

By Ray Pride Pride@moviecitynews.com

Picturing Ebertfest 2012

The Virginia Theater marquee.

Ebertfest poster, Virginia Theater.

Line for PHUNNY BUSINESS.

Opening night, The President's House.

David Bordwell and a programmer.

The spirit of Bill Murray, downtown.

Skies of the greater mid-South.

3 Responses to “Picturing Ebertfest 2012”

  1. Keil Shults says:

    fascinating AND informative

  2. Ray Pride says:

    I hope you are being kind, Keil!

  3. Keil Shults says:

    Sorry, I’ve been congested all week and in a foul mood. I’m also about 5 weeks away from being the only teacher at my middle school to achieve perfect attendance for the year. A grand feat, but it’s not helping my attitude or sanity.

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“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman