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David Poland

By David Poland poland@moviecitynews.com

Non-Trailer Trailer: Prometheus 2.2: David 8

And check out the “David site

4 Responses to “Non-Trailer Trailer: Prometheus 2.2: David 8”

  1. Tofu says:

    I’ll take three. Oh, and throw in a few vats of that milk blood stuff and a Verizon 20-year contract while you’re at it.

    Super. Thanks.

  2. SamLowry says:

    The “David site” goes into such detail about how capable he is of recognizing the emotions of others…I’m awaiting a tedious response from the Asperger’s lobby.

  3. JS Partisan says:

    I am awaiting David Bowie to show up and ask Fox to pay him some likeness rights! Also, seriously, if androids are ever part of fucking TWO YEAR CONTRACTS, then I will settle on the pay as you go Androids. Sure they won’t be as flashy but if they try to kill me or mine, or decide to chase people around town in the nude. I can just sell it used on Amazon and get a slightly newer model without being beholden to freaking Verizon or ATT and their damn flashy Androids and GOD DAMN TWO YEAR CONTRACTS!

  4. Mariamu says:

    Can’t wait for this.

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 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook