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By David Poland poland@moviecitynews.com

Non-Trailer Trailer: Prometheus 2.2: David 8

And check out the “David site

4 Responses to “Non-Trailer Trailer: Prometheus 2.2: David 8”

  1. Tofu says:

    I’ll take three. Oh, and throw in a few vats of that milk blood stuff and a Verizon 20-year contract while you’re at it.

    Super. Thanks.

  2. SamLowry says:

    The “David site” goes into such detail about how capable he is of recognizing the emotions of others…I’m awaiting a tedious response from the Asperger’s lobby.

  3. JS Partisan says:

    I am awaiting David Bowie to show up and ask Fox to pay him some likeness rights! Also, seriously, if androids are ever part of fucking TWO YEAR CONTRACTS, then I will settle on the pay as you go Androids. Sure they won’t be as flashy but if they try to kill me or mine, or decide to chase people around town in the nude. I can just sell it used on Amazon and get a slightly newer model without being beholden to freaking Verizon or ATT and their damn flashy Androids and GOD DAMN TWO YEAR CONTRACTS!

  4. Mariamu says:

    Can’t wait for this.

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DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato