By MCN Editor editor@moviecitynews.com

MILL CREEK ENTERTAINMENT SIGNS HOME VIDEO DISTRIBUTION DEAL WITH SONY PICTURES HOME ENTERTAINMENT

Mill Creek Entertainment Licenses 250 SPHE Titles for U.S. and Canadian DVD and Blu-ray Distribution

MINNEAPOLIS, MN, April 23, 2012 – Mill Creek Entertainment, a leading home entertainment distribution company has just inked a home video distribution deal with Sony Pictures Home Entertainment (SPHE) covering US and Canadian territories.  Under the licensing agreement Mill Creek Entertainment will distribute 250 films from the legendary SPHE catalog via a wide variety of DVD and Blu-ray compilations and collections to Mill Creek’s extensive network of traditional and non-traditional retail partners.  Mill Creek will distribute classics such as Ship of Fools, Bonjour Tristesse, The Last Detail, Avalon, The Chase and Agnes of God and audience favorites such as Hollywood Homicide, Hostel, All the Pretty Horses, Saving Silverman, Hollow Man and Vertical Limit.

“This treasure trove of SPHE films represents a watershed enhancement of our growing filmed entertainment catalog,” said Ian Warfield, President and COO of Mill Creek.  “We are excited to work with the Sony Pictures Home Entertainment team to deliver this amazing line-up of star-filled titles for the enjoyment of an even broader audience of consumers.”

Many films included in this distribution deal will be made available in Blu-ray high definition format for the first time ever.  Multi-feature standard definition DVD collections are also part of the strategic release plan to bring this vast assortment of classic and contemporary films to market.  The first wave of releases can be expected Fall 2012 while the specific lineup of initial releases will be announced at a later date.

About Mill Creek Entertainment

Mill Creek Entertainment is one of the industry’s leading providers of value-priced DVD and Blu-ray features and compilations. The Minneapolis-based company licenses content from a broad range of major and independent studios to augment its library of owned content and original productions.  With an experienced senior management and sales team the company manufactures and distributes its growing product line to a network of over 30,000 retail and distribution locations.  Product categories include classic and contemporary films, episodic television, kids, animation, episodic documentaries, special interest and fitness. Mill Creek Entertainment can be found on the World Wide Web at http://millcreekent.com.

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas