By MCN Editor editor@moviecitynews.com

MILL CREEK ENTERTAINMENT SIGNS HOME VIDEO DISTRIBUTION DEAL WITH SONY PICTURES HOME ENTERTAINMENT

Mill Creek Entertainment Licenses 250 SPHE Titles for U.S. and Canadian DVD and Blu-ray Distribution

MINNEAPOLIS, MN, April 23, 2012 – Mill Creek Entertainment, a leading home entertainment distribution company has just inked a home video distribution deal with Sony Pictures Home Entertainment (SPHE) covering US and Canadian territories.  Under the licensing agreement Mill Creek Entertainment will distribute 250 films from the legendary SPHE catalog via a wide variety of DVD and Blu-ray compilations and collections to Mill Creek’s extensive network of traditional and non-traditional retail partners.  Mill Creek will distribute classics such as Ship of Fools, Bonjour Tristesse, The Last Detail, Avalon, The Chase and Agnes of God and audience favorites such as Hollywood Homicide, Hostel, All the Pretty Horses, Saving Silverman, Hollow Man and Vertical Limit.

“This treasure trove of SPHE films represents a watershed enhancement of our growing filmed entertainment catalog,” said Ian Warfield, President and COO of Mill Creek.  “We are excited to work with the Sony Pictures Home Entertainment team to deliver this amazing line-up of star-filled titles for the enjoyment of an even broader audience of consumers.”

Many films included in this distribution deal will be made available in Blu-ray high definition format for the first time ever.  Multi-feature standard definition DVD collections are also part of the strategic release plan to bring this vast assortment of classic and contemporary films to market.  The first wave of releases can be expected Fall 2012 while the specific lineup of initial releases will be announced at a later date.

About Mill Creek Entertainment

Mill Creek Entertainment is one of the industry’s leading providers of value-priced DVD and Blu-ray features and compilations. The Minneapolis-based company licenses content from a broad range of major and independent studios to augment its library of owned content and original productions.  With an experienced senior management and sales team the company manufactures and distributes its growing product line to a network of over 30,000 retail and distribution locations.  Product categories include classic and contemporary films, episodic television, kids, animation, episodic documentaries, special interest and fitness. Mill Creek Entertainment can be found on the World Wide Web at http://millcreekent.com.

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé