MCN Blogs

By Ray Pride Pride@moviecitynews.com

Lukas Moodysson Makes Nice With WE ARE THE BEST

Fucking Åmål meets Times Square? Ja! Rough translation from the Swedish: “A film about Bobo, Clara, and Hedwig. Three girls who are twelve or thirteen years. Who drag around on the streets and babbling. Who are brave and tough and strong and weak and confused and goofy. And are on their own way too early. Heat fish sticks in the toaster when the mother is at the pub. Start a punk rock band without instruments to play, even though everyone says that punk is dead.

If being different and of a friendship that is greater than everything else.

A movie with lots of music and a lot of humor and very serious. - I hope there will be a happy film, full of hope and vitality, says Lukas Moodysson.

Coco Moodysson has written comic book “Never bedtime,” which is the basis for the story. Lukas Moodysson has adapted. Shooting is planned for autumn 2012, with a fall 2013 release.” [Image source.]

Leave a Reply

Movie City Indie

Quote Unquotesee all »

A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver