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By Ray Pride Pride@moviecitynews.com

Lukas Moodysson Makes Nice With WE ARE THE BEST

Fucking Åmål meets Times Square? Ja! Rough translation from the Swedish: “A film about Bobo, Clara, and Hedwig. Three girls who are twelve or thirteen years. Who drag around on the streets and babbling. Who are brave and tough and strong and weak and confused and goofy. And are on their own way too early. Heat fish sticks in the toaster when the mother is at the pub. Start a punk rock band without instruments to play, even though everyone says that punk is dead.

If being different and of a friendship that is greater than everything else.

A movie with lots of music and a lot of humor and very serious. – I hope there will be a happy film, full of hope and vitality, says Lukas Moodysson.

Coco Moodysson has written comic book “Never bedtime,” which is the basis for the story. Lukas Moodysson has adapted. Shooting is planned for autumn 2012, with a fall 2013 release.” [Image source.]

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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