By MCN Editor editor@moviecitynews.com

Cinema Eye Protests Department of Homeland Security’s Ongoing Harassment of Award-Winning Filmmaker Laura Poitras

FOR IMMEDIATE RELEASE:

April 9, 2012 – New York, New York – Cinema Eye, the film organization that hosts the Cinema Eye Honors and advocates for artistry and craft in nonfiction filmmaking, is releasing a statement today to vigorously protest the Department of Homeland Security’s treatment of our valued colleague, Laura Poitras.

The letter is signed by the full Cinema Eye Executive Board as well as our Filmmaker Advisory Board, of which Poitras serves as Chair.  The letter is also signed by 25 Cinema Eye nominated filmmakers, including five Academy Award winners.

Statement from Cinema Eye on Laura Poitras:

As members of the nonfiction filmmaking community, we want to express our outrage over the ongoing harassment of our colleague Laura Poitras by the US government and the Department of Homeland Security.  We call on the Obama administration to investigate this abuse of power and to bring an end to this persistent violation of America’s bedrock principle of a free press.

Laura Poitras is one of America’s most important nonfiction filmmakers, the recipient of the 2011 Cinema Eye Honor for Outstanding Achievement in Direction for her landmark film, The Oath, and the chair of our Filmmaker Advisory Board.  She was nominated for a Best Documentary Feature Oscar and twice has been nominated for an Independent Spirit Award for her work.  Her long list of credits, awards and impeccable credentials would be easy for anyone to verify.

Over the course of the last several years, as Laura has been working to chronicle the post-9/11 world and the effect of American policies here and abroad, she has been repeatedly harassed, detained, interrogated and has had her cameras and computers seized by Homeland Security officials as she attempts to re-enter her home country.

Not once in more than a dozen detentions and interrogations has Homeland Security found anything to justify this chronic abuse of power.

Within the last week, as Laura was returning from a recent trip abroad, she was once again detained.  This time, however, she was also threatened with being handcuffed for attempting to take notes during her interrogation.

Nonfiction filmmakers perform a vital role in a democratic society, serving as observers and investigators of the world around us.  It is unacceptable for any American nonfiction filmmaker or journalist to be treated in this manner.  They must be able to return to their own country without fear of arrest or fear that their work product will be seized, solely because they are investigating or chronicling subject matter that may be sensitive or controversial.

We ask other members of the nonfiction film and journalism communities to protest this affront to a free press and we reiterate our call on the Obama administration to end these draconian and un-American policies once and for all.

Sincerely,

Sean Farnel, Andrea Meditch, Esther Robinson, AJ Schnack and Nathan Truesdell

Cinema Eye Honors Executive Board

Mila Aung-Thwin, R.J. Cutler, Sam Green, Steve James, Ellen Kuras, Audrey Marrs, James Marsh, Morgan Spurlock, Jennifer Venditti

Cinema Eye Honors Filmmaker Advisory Board

Clio Barnard

Joe Berlinger

Michael Collins

Alex Gibney

Davis Guggenheim

Lixin Fan

Alma Har’el

Asif Kapadia

Lise Lense-Møller

Tia Lessin

Kim Longinotto

Jeff Malmberg

Darius Marder

Albert Maysles

Donal Mosher

Michael Palmieri

Louie Psihoyos

Bill Ross

Turner Ross

Chris Shellen

Bruce Sinofsky

Geoffrey Smith

Ricki Stern

Paul Taylor

Marina Zenovich

Online statement:

http://www.cinemaeyehonors.com/archives/press/cinema-eye-statement-on-laura-poitra

For more information on Laura Poitras:

http://www.praxisfilms.org/

http://www.nytimes.com/2010/05/09/movies/09oath.html?_r=2

http://www.salon.com/2012/04/08/u_s_filmmaker_repeatedly_detained_at_border/singleton/

About Cinema Eye:

Cinema Eye was founded in 2007 to recognize excellence in artistry and craft in nonfiction filmmaking.  The Cinema Eye Honors are the only international nonfiction award to recognize the whole creative team, presenting annual craft awards in directing, producing, cinematography, editing, composing and graphic design/animation.  The 5th edition of the Cinema Eye Honors for Nonfiction Filmmaking was held January 11, 2012 at New York City’s Museum of the Moving Image in Astoria, Queens.  More information can be found at www.cinemaeyehonors.com.

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~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour