By MCN Editor editor@moviecitynews.com

Cannes 2012 Line-Up Announced

(Cannes website here.)

Competition

Opening Film

Moonrise Kingdom, Wes Anderson

After The Battle (Baad el mawkeaa), Yousry Nasrallah

Amour, Michael Haneke

The Angels’ Share, Ken Loach

Beyond the Hills, Cristian Mungiu

Cosmopolis, David Cronenberg

Holy Motors, Leos Carax

The Hunt, Thomas Vinterberg

In Another Country, Hong Sang-soo

In the Fog, Sergei Loznitsa

Killing Them Softly, Andrew Dominik

Lawless, John Hillcoat

Like Someone in Love, Abbas Kiarostami

Mud, Jeff Nichols

On the Road, Walter Salles

The Paperboy, Lee Daniels

Paradies: Liebe, Ulrich Seidl

Post tenebras lux, Carlos Reygadas

Reality, Matteo Garrone

Rust and Bone, Jacques Audiard

Taste of Money, Im Sang-soo

You Haven’t Seen Anything Yet (Vous n’avez encore rien vu), Alain Resnais

Closing Film

Therese Desqueyroux, Claude Miller

Un certain regard

Antiviral, Brandon Cronenberg

Beasts of the Southern Wild, Benh Zeitlin

Confession of a Child of the Century, Sylvie Verheyde

Despues de Lucia, Michel Franco

11.25 The Day He Chose His Own Fate, Koji Wakamatsu

Le grand soir, Benoit Delepine, Gustave Kervern

Laurence Anyways, Xavier Dolan

Les Chevaux de Dieu, Nabil Ayouch

Loving Without Reason, Joachim Lafosse

Miss Lovely, Ashim Ahluwalia

Mystery, Lou Ye

La Pirogue, Moussa Toure

La Playa, Juan Andres Arango

7 Days in Havana, Laurent Cantet, Benicio del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabio, Pablo Trapero

Student, Darezhan Omirbayev

Trois mondes, Catherine Corsini

White Elephant (Elefante Blanco), Pablo Trapero

Out-of-Competition

Hemingway & Gellhorn, Philip Kaufman

Madagascar 3: Europe’s Most Wanted, Eric Darnell, Tom McGrath, Conrad Vernon

Me and You, Bernardo Bertolucci

Midnight

Dario Argento’s Dracula, Dario Argento

The Legend of Love & Sincerity, Takashi Miike

Special Screenings

The Central Park Five, Ken Burns, Sarah Burns, David McMahon

Journal de France, Claudine Nougaret, Raymond Depardon

Les Invisibles, Sebastien Lifshitz

Mekong Hotel, Apichatpong Weerasethakul

Der Mull im Garten Eden, Fatih Akin

A musica segundo Tom Jobim, Nelson Pereira Dos Santos

Roman Polanski: A Film Memoir, Laurent Bouzereau

Villegas, Gonzalo Tobal

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One Response to “Cannes 2012 Line-Up Announced”

  1. movieman says:

    No PT Anderson and Malick isn’t surprising.
    The absence of Woody is, however.
    Very disappointed that the new Assayas and Wong Kar Wai films won’t be ready in time for Cannes.
    Maybe later in the 2012 festival season?

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé