By MCN Editor editor@moviecitynews.com

Cannes 2012 Line-Up Announced

(Cannes website here.)

Competition

Opening Film

Moonrise Kingdom, Wes Anderson

After The Battle (Baad el mawkeaa), Yousry Nasrallah

Amour, Michael Haneke

The Angels’ Share, Ken Loach

Beyond the Hills, Cristian Mungiu

Cosmopolis, David Cronenberg

Holy Motors, Leos Carax

The Hunt, Thomas Vinterberg

In Another Country, Hong Sang-soo

In the Fog, Sergei Loznitsa

Killing Them Softly, Andrew Dominik

Lawless, John Hillcoat

Like Someone in Love, Abbas Kiarostami

Mud, Jeff Nichols

On the Road, Walter Salles

The Paperboy, Lee Daniels

Paradies: Liebe, Ulrich Seidl

Post tenebras lux, Carlos Reygadas

Reality, Matteo Garrone

Rust and Bone, Jacques Audiard

Taste of Money, Im Sang-soo

You Haven’t Seen Anything Yet (Vous n’avez encore rien vu), Alain Resnais

Closing Film

Therese Desqueyroux, Claude Miller

Un certain regard

Antiviral, Brandon Cronenberg

Beasts of the Southern Wild, Benh Zeitlin

Confession of a Child of the Century, Sylvie Verheyde

Despues de Lucia, Michel Franco

11.25 The Day He Chose His Own Fate, Koji Wakamatsu

Le grand soir, Benoit Delepine, Gustave Kervern

Laurence Anyways, Xavier Dolan

Les Chevaux de Dieu, Nabil Ayouch

Loving Without Reason, Joachim Lafosse

Miss Lovely, Ashim Ahluwalia

Mystery, Lou Ye

La Pirogue, Moussa Toure

La Playa, Juan Andres Arango

7 Days in Havana, Laurent Cantet, Benicio del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabio, Pablo Trapero

Student, Darezhan Omirbayev

Trois mondes, Catherine Corsini

White Elephant (Elefante Blanco), Pablo Trapero

Out-of-Competition

Hemingway & Gellhorn, Philip Kaufman

Madagascar 3: Europe’s Most Wanted, Eric Darnell, Tom McGrath, Conrad Vernon

Me and You, Bernardo Bertolucci

Midnight

Dario Argento’s Dracula, Dario Argento

The Legend of Love & Sincerity, Takashi Miike

Special Screenings

The Central Park Five, Ken Burns, Sarah Burns, David McMahon

Journal de France, Claudine Nougaret, Raymond Depardon

Les Invisibles, Sebastien Lifshitz

Mekong Hotel, Apichatpong Weerasethakul

Der Mull im Garten Eden, Fatih Akin

A musica segundo Tom Jobim, Nelson Pereira Dos Santos

Roman Polanski: A Film Memoir, Laurent Bouzereau

Villegas, Gonzalo Tobal

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One Response to “Cannes 2012 Line-Up Announced”

  1. movieman says:

    No PT Anderson and Malick isn’t surprising.
    The absence of Woody is, however.
    Very disappointed that the new Assayas and Wong Kar Wai films won’t be ready in time for Cannes.
    Maybe later in the 2012 festival season?

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What are we doing wrong?
“Well, first of all, by “we” I assume you mean the public, the public approach or the public discourse, which means the discourse that takes place in the media. And for the purposes of this discussion, let us imagine that the media is white and thus approaches the topic of race as if they (the white people) were the answer and them (the black people) were the question. And so, in the interest of fairness, they take their turn (having first, of course, given it to themselves) and then invite comment by some different white people and some similar black people. They give what purports to be simply their point of view and then everyone else gives their beside-the-point of view.

“The customary way for white people to think about the topic of race—and it is only a topic to white people—is to ask, How would it be if I were black? But you can’t separate the “I” from being white. The “I” is so informed by the experience of being white that it is its very creation—it is this “I” in this context that is, in fact, the white man’s burden. People who think of themselves as well intentioned—which is, let’s face it, how people think of themselves—believe that the best, most compassionate, most American way to understand another person is to walk a mile in their shoes. And I think that’s conventionally the way this thing is approached. And that’s why the conversation never gets anywhere and that’s why the answers always come back wrong and the situation stays static—and worse than static.”
~ Fran Lebowitz, 1997

“If one could examine his DNA, it would read ACTOR. He embraced every role with fire and fierce dedication. Playing Bela Lugosi in Tim Burton’s Ed Wood was his loving tribute to all actors and garnered him a well-deserved Academy Award. His work was his joy and his legacy.”
~ Barbara Bain On Martin Landau