By MCN Editor editor@moviecitynews.com

AMERICAN FILM INSTITUTE RETURNS TO THE WHITE HOUSE TO CELEBRATE 50TH ANNIVERSARY OF “TO KILL A MOCKINGBIRD”

AFI Brings Special Screening to the White House Followed by National Television Broadcast
President Obama to Introduce Both Events

LOS ANGELES, CA, April 4, 2012 – The American Film Institute (AFI), in conjunction with USA Network and Universal Pictures, will celebrate the 50th anniversary of TO KILL A MOCKINGBIRD at the White House on Thursday, April 5 and with the nation on Saturday, April 7. AFI was created in the White House Rose Garden in 1965, when President Lyndon B. Johnson set a national mandate to “bring together leading artists of the film industry, outstanding educators and young men and women who wish to pursue the art form as their life’s work.”

President Obama will introduce the film at a special screening in the White House Family Theater with an audience that includes children from DC area schools as well as Mary Badham, who portrayed Scout in the film; Gregory Peck’s family, including wife Veronique; and AFI Trustees Sir Howard Stringer, Chairman of Sony Corporation, Ron Meyer, President and COO of Universal Studios and Bob Gazzale, AFI President and CEO. Arne Duncan, the U.S. Secretary of Education, is also expected to attend. President Obama will then celebrate the film with the nation through a special primetime broadcast on USA Network at 8:00 p.m. ET/PT on April 7.

“I’m deeply honored that President Obama will be celebrating the 50th anniversary of TO KILL A MOCKINGBIRD by introducing it to a national audience,” said Harper Lee, author of the Pulitzer Prize winning novel on which the movie is based. “I believe it remains the best translation of a book to film ever made, and I’m proud to know that Gregory Peck’s portrayal of Atticus Finch lives on – in a world that needs him now more than ever.”

“TO KILL A MOCKINGBIRD is an American treasure – a film of family and fatherhood, justice and equality – all so richly embodied in the character of Atticus Finch,” said Bob Gazzale, AFI President and CEO. “We are honored to screen the film in the White House, where AFI was born, and to partner with USA Network and Universal Pictures to inspire generations of movie lovers to discover and rediscover this classic American film.”

AFI proposed the anniversary celebration to the White House in early January and learned last month that President Obama would be available to participate on April 5 – a timely date as it marks the late Gregory Peck’s 96th birthday. Peck had a long association with the American Film Institute, serving as Founding Chair of the AFI Board of Trustees from 1967 to 1969, and receiving the AFI Life Achievement Award – the highest honor for a career in film – in 1989.

TO KILL A MOCKINGBIRD ranks 25th on AFI’s 100 Years…100 Movies list of greatest American films, and AFI named Atticus Finch the greatest hero in this history of American film when it announced its AFI’s 100 Years…100 Heroes and Villains list in 2003. AFI also recognized the film for its #1 ranking of Best Courtroom Dramas in AFI’s 10 Top 10 list and its #2 ranking on AFI’s 100 Years…100 Cheers America’s Most Inspiring Films list, just behind IT’S A WONDERFUL LIFE. The film, which premiered in Los Angeles on Christmas day in 1962 and opened wide in 1963, was directed by Robert Mulligan and produced by Alan J. Pakula.

About the American Film Institute
AFI is America’s promise to preserve the history of the motion picture, to honor the artists and their work and to educate the next generation of storytellers. AFI provides leadership in film, television and digital media and is dedicated to initiatives that engage the past, the present and the future of the moving image arts.

AFI preserves the legacy of America’s film heritage for future generations through the AFI Archive, comprised of rare footage from across the history of the moving image and the AFI Catalog of Feature Films, an authoritative record of American films from 1893 to the present.
AFI honors the artists and their work through a variety of annual programs and special events, including the AFI Life Achievement Award and AFI Awards. Celebrating its 40th year in 2012, the AFI Life Achievement Award has remained the highest honor for a career in film while AFI Awards, the Institute’s almanac for the 21st century, honors the most outstanding motion pictures and television programs of the year. AFI’s 100 Years…100 Movies television events and movie reference lists have introduced and reintroduced classic American movies to millions of film lovers. And as the largest nonprofit exhibitor in the United States, AFI offers film enthusiasts a variety of events throughout the year, including AFI Fest presented by Audi, the Institute’s annual celebration of excellence in global cinema; AFI-Discovery Channel Silverdocs, the largest documentary festival in the U.S., celebrating its 10th edition this year; and year-round programming at the AFI Silver Theatre in the Washington, DC area.

AFI educates the next generation of storytellers at its world-renowned AFI Conservatory, named the #1 film school in the world by The Hollywood Reporter for the quality of its instructors and speakers, and its “glittering parade of alumni.” AFI Conservatory offers a two-year Master of Fine Arts degree in six filmmaking disciplines: Cinematography, Directing, Editing, Producing, Production Design and Screenwriting. Aspiring artists learn from the masters in a collaborative, hands-on production environment with an emphasis on storytelling.

For more information about AFI, visit AFI.com or connect with AFI at twitter.com/AmericanFilm, facebook.com/AmericanFilmInstitute and youtube.com/AFI.

About USA Network
The #1 network in all of basic cable, USA Network is seen in 115 million U.S. homes. USA is a leader in scripted programming with a powerful stable of originals including POLITICAL ANIMALS, SUITS, NECESSARY ROUGHNESS, WHITE COLLAR, ROYAL PAINS, BURN NOTICE, PSYCH, COVERT AFFAIRS, COMMON LAW, FAIRLY LEGAL and IN PLAIN SIGHT. The network offers 52 weeks of spectacular live television with WWE MONDAY NIGHT RAW and is home to the best in blockbuster theatrical films, a broad portfolio of acquired series and entertainment events. A trailblazer in digital innovation and storytelling, USA is defining, driving and setting the industry standard for Social TV. USA is a program service of NBCUniversal Cable Entertainment, a division of NBCUniversal. The award-winning website is located at http://www.usanetwork.com. Characters Welcome.

About Universal Pictures
Universal Pictures is a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBCUniveral. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé