The Hobbit: Battle of the Five Armies
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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Adventures in Filmmaking: Bunker Goes to SIFF

I can finally announce that my short film, Bunker, will be premiering at the Seattle International Film Festival in their shorts competition. Can I get a huzzah?! I’m over the moon to have my film screening at SIFF. It’s a tough fest to get into, and it’s Oscar-eligible in the shorts categories. My cast and crew are mostly here in Seattle, so I’m hoping we’ll have a solid hometown turn-out when we screen as part of the SeaTown Stories section during Memorial weekend’s Shortsfest at SIFF.

Huge congrats to my terrific cast, Rachel Delmar and Stefan Hajek, my husband and business partner Mike Hodge, co-producer Melanie Addington, DP Sam Graydon, editor Joe Shapiro, sound wizard Vinny Smith, colorist John Davidson and composer Ken Stringfellow, and the entire, enormously talented crew who helped take my little script and make it into a little movie that we can all be proud to have our names on. You guys rock.

One Response to “Adventures in Filmmaking: Bunker Goes to SIFF”

  1. Nathaniel says:

    Congratulations! I hope the premiere of the film you’ve poured so much time and love into is a success.

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies

The Hobbit: Battle of the Five Armies