By MCN Editor editor@moviecitynews.com

40 Acres and a Mule Filmworks announces theatrical release plans for Spike Lee’s RED HOOK SUMMER; Will partner with Variance Films for August 10 theatrical release

FOR IMMEDIATE RELEASE

Republic of Brooklyn, April 25, 2012 – 40 Acres and a Mule Filmworks announced today that the company will undertake its first independent distribution effort with founder Spike Lee’s Brooklyn coming-of-age story, RED HOOK SUMMER. 40 Acres and a Mule Filmworks will partner with New York-based Variance Films for the theatrical release, which will begin August 10, 2012 in New York City theaters, expanding to the top 30 markets throughout the month of August.

“From my very first joint back in 1986, SHE’S GOTTA HAVE IT, I have been an independent filmmaker, and even today I still am,” said Spike Lee.  “I’m elated to join forces with Variance Films for the independent distribution of my new joint RED HOOK SUMMER.  We look forward to getting this film into the marketplace, where we believe 100 percent that there is a starving audience for American independent films like RED HOOK SUMMER.”

“Variance’s sole mission is to ensure filmmakers retain their rights and their power,” said Dylan Marchetti, founder of Variance Films, “and I can’t think of a filmmaker that would make better use of both than Spike Lee.  Spike is truly one of the godfathers of independent filmmaking, and RED HOOK SUMMER is an entertaining, yet thoughtful, film that says something we think needs to be said.  We couldn’t be more excited to work with Spike and his team to ensure that audiences across the country will be experiencing this fantastic film with their friends and family.”

The latest in Spike Lee’s Chronicles of Brooklyn (which also include SHE’S GOTTA HAVE IT, DO THE RIGHT THING, CROOKLYN, CLOCKERS, and HE GOT GAME), RED HOOK SUMMER tells the story of Flik Royale, a sullen young boy from middle-class Atlanta who has come to spend the summer with his deeply religious grandfather, Bishop Enoch Rouse, in the housing projects of Red Hook.  Having never met before, things quickly get off on the wrong foot as Bishop Enoch relentlessly attempts to convert Flik into a follower of Jesus Christ.  Between his grandfather’s constant preaching and the culture shock of inner-city life, Flik’s summer appears to be a total disaster–until he meets Chazz Morningstar, a pretty girl his age, who shows Flik the brighter side of Brooklyn.  Through her love and the love of his grandfather, Flik begins to realize that the world is a lot bigger, and perhaps a lot better, than he’d ever imagined.

The deal was brokered by Dylan Marchetti of Variance Films with CAA and Robert Strent of Grubman, Indrusky & Hireon on behalf of 40 Acres and a Mule Filmworks.

OFFICIAL WEBSITE: www.redhooksummer.com

ABOUT 40 ACRES AND A MULE FILMWORKS

40 Acres And A Mule Filmworks is the production company of Spike Lee. Founded in 1986 in his childhood neighborhood of Fort Greene, Brooklyn, New York, it has produced feature films, documentaries, commercials, music videos and short films. 40 Acres has been a training ground for young unknown black talent, both in front of and behind the camera, who have gone on to make their mark in Hollywood today.

ABOUT VARIANCE FILMS

Founded in 2008 in Brooklyn, Variance Films is a New York City-based theatrical distributor whose sole mission is to bring the best in independent cinema to theaters across the continent, while allowing filmmakers to retain all rights to their work.  Founded in 2008 by Dylan Marchetti, Variance distributes films using innovative release strategies that focus on collaborative, filmmaker-centric grassroots marketing to drive audiences to theaters.  Recent Variance Films releases include John Sayles’ Philippine-American War epic AMIGO, José Padilha’s ELITE SQUAD: THE ENEMY WITHIN (Brazil’s official submission for the 2011 Academy Awards™), Damien Chazelle’s jazz musical GUY AND MADELINE ON A PARK BENCH, and the highest-grossing film of all time in China, Jiang Wen’s hilariously dark action-comedy LET THE BULLETS FLY.  For more information, please visit www.variancefilms.com.

# # #

Leave a Reply

Quote Unquotesee all »

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert

The Promised Land steers into the fact that the United States can mean whatever people want it to mean. You may not be able to be Elvis, but you can sure as shit impersonate him for a living. America, like its current President (at least as of this article’s publication), is so dangerous precisely because it’s a blank canvas on which anyone can project their dreams. Whatever it is that you see for yourself, there’s someone you can pay for the pleasure of believing that it’s possible. In his view, the pursuit of happiness is the ultimate con, a delusion that prevents us from seeing our circumstances for what they are.

“Forget the Matrix, it’s the invention of happiness that blinded us to the truth. The rich got richer and the poor help them do it. Jarecki doesn’t argue that the American Dream is dead; he argues that it was never alive in the first place — that we were all lobsters in a pot full of water that was boiling too slowly for any of us to notice. And now it’s time for dinner. Donald J. Trump is the President of the United States. Elvis has left the building.”
~ David Ehrlich