So that’s what Xavier Dolan‘s been up to… Not necessarily to be expected from the director of How I Killed My Mother and Les amours imaginaires, but… “C’est especial.”
“I didn’t see you coming this morning. Is this a revolt?”
“No sir, it’s a revolution.”
Cannes-bound, per David Hudson at Daily MUBI.
Gonzalo Jimenez on: Borzage's MOONRISE (1948) opening (4'58')
Ben on: Dave Brubeck "Take Five," Live, 1966 (5'22")
Ricky on: RIP Taylor Mead
Fabian Villarreal on: A Rose For Roger
Exam Informer on: Noam Chomsky On How To Talk To Women (1'28")
Møller on: World's oldest cinema reopens in Beijing
Linda Murray on: RIP Jonathan Winters (6'02")
EM on: DVD Interview: Benh Zeitlin on Water
Ray Pride on: Siskel & Ebert On TAXI DRIVER (8'34")
spassky on: Siskel & Ebert On TAXI DRIVER (8'34")
GREAT GATSBY Party Preem In Sydney (4’43″)
Borzage’s MOONRISE (1948) opening (4’58′)
College Humor Collates All Of JJ Abrams’ Lens Flares In STAR TREK (8’30″)
Stream THE SOURCE FAMILY’s Psychedelic Soundtrack
Class Photo For NYMPH()MANIAC, Opening Christmas Day
Newt Gingrich’s Compelling New Andy Rooney Impersonation
Teasing “Cinéma, de notre temps: James Benning and Richard Linklater” (1’58″)
Trailering FRUITVALE STATION (2’19″)
RIP Taylor Mead: “Champagne” from COFFEE & CIGARETTES (6’02″)
see all »
RT @TheAcademy: A lot of what acting is, is paying attention. -- Robert Redford
RT @danielradosh: World's most boring Philip K. Dick novel RT @conor64 I wonder how America would be different if Carter won in 1980, Reaga…
RT @CharlieDaniels: How can any sane person possibly believe that all this garbage happened and nobody at the whitehouse knew anything at a…
DP: New Boy Scout manual to teach both tying knots and carefully choosing what pocket to put them in.
DP: @poritsky @erickohn Why would Joseph Levitt Gordon do that to Eric?
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
