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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

SXSW Pick: Amy Seimetz’s Sun Don’t Shine

I don’t run a lot of posters and clips here, for big studio films at least, but every now and again a pitch will catch my interest. In this case, it was an email about Amy Seimetz’s feature film directorial debut, Sun Don’t Shine, which is having its world premiere at SXSW. Seimetz, of course, starred in Megan Griffith’s The Off Hours, a well-received feature that debuted at Sundance in 2011. And I’m on kind of a mission to support and write about female filmmakers right now, in anticipation of both another Cannes and another awards season that will be dismally bereft of female directors, writers and producers. Also, it stars Kate Lyn Sheil, who was in both The Color Wheel and Green last year. These two, along with Sophia Takal (director of Green) are perched to be strong female voices on the indie film scene.

Clip to the film is after the jump.

The music in the scene is by Cary Ann Hearst, who is also performing at SXSW.

Writer/director/actor/producer Amy Seimetz returns to SXSW with her mesmerizing film Sun Don’t Shine, which follows a troubled young couple’s road trip along the desolate yet hauntingly beautiful landscape of central Florida. As the couple travels up the Gulf Coast the disturbing details of their excursion gradually begin to emerge, revealing Crystal’s (Kate Lyn Sheil) sinister past and the couple’s troubling future.

Director(s): Amy Seimetz
Executive Producer(s): Tim Fargo, Andrew Krucoff, Shane Carruth, Mark Reeb
Producer(s): Kim Sherman, Amy Seimetz
Screenwriter(s): Amy Seimetz
Cinematographer: Jay Keitel
Editor(s): David Lowery, Amy Seimetz
Production Designer: Lanie Faith Marie Overton
Sound Designer: Ben Huff
Additional Credits: Co-Producer: Dalila Droege, AC/gaffer: Michael Wilson, Sound Recordist: Andrew “C-Nug” Brown, Associate Producer: Andrew Hevia

Principal Cast: Kate Lyn Sheil, Kentucker Audley, AJ Bowen, Kit Gwinn, Mark Reeb

Sun Don’t Shine – Worldwide Premiere- SXSW 2012 – Saturday, March 10th, 2012- Alamo Lamar C

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“All of the security, all of the waiters, all of the musicians … that’s 3,000 people!” The shopping required fifty tractor trailers. The are thirty gallons of cocktail sauce; 350 pounds of smoked salmon; 200 pounds of brussels sprouts, 250 pounds parmesan cheese; 3,600 eggs; 6,000 mini-brioche buns; five gallons of hot fudge; 20 pounds pickled ginger; 30 pounds edible gold dust; 7,000 miniature chocolate Oscars. There are 1,400 bottles of Piper-Heidsieck champagne and 2,200 bottles from Francis Ford Coppola’s winery. This will be served in and upon 13,000 glasses, 4,500 bamboo skewers, 4,800 ramekins and 6,000 cocktail forks.”
~ Wolfgang Puck Goes Oscar Dinner Shopping

“While these images seem to reveal all, they disclose nothing beneath the surface. All that we know is what we see onscreen and that Seberg’s face is delicate and lightly creased. She’s rarely shown smiling, although there are instances when she laughs emphatically, moments that feel uncomfortable and artificial, as if she were trying out an emotion she had forgotten. We know the texture of her skin; the patterns on the walls; the depth of field; the quality of the light; the contrast of the black-and-white film; the level of grain; the dowdiness of her clothes. She’s partial to granny dresses, or maybe they’re nightgowns, and when she stands in front of a window, the sunlight glows softly, creating a kind of ravishing halo effect: Saint Jean.”
~ Manohla Dargis On Philippe Garrel’s Les Hautes Solitudes